I like that you can still put the TSA lock in its pocket even when your bag is secured. You probably don’t want to catch unnecessary attention by walking around the city with a lock hanging on the outside of your bag.
The monitor has a contrast ratio of 1000:1, and I could not confirm if the panel itself is 8 or 10-bit (8+2 FRC obviously if it’s the case). According to VIDEOGEAR, the display covers 131% of the Rec.709 color space and 98% of DCI-P3. On top of that, the panel would support HDR ST2084 300 / ST 2084 1000 / ST 2084 10000 / HLG monitoring, but I have high doubts about it and can’t confirm.
To grab the bag, there are three handles: one on the top and one on each side. Although all the handles feel robust, they can take a lot of weight. If I am being picky, I would’ve liked to see a fourth grip at the bottom.
Also, if you use a 5-pin XS16 to dummy battery cable, you can power your camera/follow focus motor directly from the LH5H dedicated output port, which is smart. This port is compatible with Tilta Nucleus-M and Nucleus-Nano follow focus motors.
The EOS R is the first full-frame mirrorless camera from Canon. It features the new RF lens mount, and 30.3MP CMOS sensor along with a DIGIC 8 image processor. It tops at UHD 4K30 for video recording and the sensor also facilitates Canon’s great Dual Pixel AF system – probably the best autofocus system for video right now. The camera can shoot in Canon Log gamma for higher dynamic range and it can output 4K 10-bit 4:2:2 over HDMI.
If you power your monitor with a Sony NP-F or Canon LP-E6 battery, the 8V DC out port on the right side of the monitor can be used to power other small camera accessories or a smartphone, I suppose. Unfortunately, a D-Tap or any other powering cable isn’t included in the kit, but you can easily find one at affordable prices.
The LH5P is powered via a Sony NP-F battery, but you can use the USB port to feed the monitor from a V-Mount/AB external battery as well as a battery bank.
Also, there is a 3.5mm headphone jack if your camera doesn’t have one or if you want to monitor your audio signal directly from the PT5, which works fine.
Like most on-camera monitors (the ones that are not OLED), especially daylight-viewable ones, if you crank up the brightness, the display tends to lift the image’s black parts. In short, blacks are not black anymore, but more on the grey side and the picture starts to be a little washed out.
Last but not least, Portkeys implemented wireless camera controls for the RED Komodo. This means that, compared to the SmallHD Focus Pro, for example, you don’t need an extra cable to communicate between the Komodo and the monitor.
Let’s make it simple here; the PortKeys LEYE II has its predecessor’s same features and specifications. In a nutshell, that includes:.
Music for the above video is courtesy of MusicVine. Get 25% off your next music license with code C5D25 (valid for one use per customer).
So, who is this monitor for? I guess the Black Mini is perfect for YouTubers or content creators who are mostly shooting inside. Also, if you’re doing many live streaming events and need a fast/affordable program monitor, it could get the job done.
There are two little charging indicators on top of the Volta36 battery charger that goes from red (charging) to green (charged).
Disclaimer: All orders and responsibilities to supply the goods at a discount price within the agreed time frame are on VIDEOGEAR. CineD is not related to the company in any way but will get a 5% affiliate commission on every monitor sell made via Amazon.
However, I found that the Flexloader L quickly caught dust and marks during my tests. I’ve not been very kind with it and shot in some industrial factories that are not the cleanest environments out here. Back at the office, a quick wipe with a wet sponge and the backpack looked brand new again – as it cleans easily – but it’s something to notice.
However, even if I found the UI easy to understand, there are some things I did not like. First, when you open the menu, it’ll stay open for a certain amount of time that you can adjust between 10 and 30 seconds. But when you’re done, you can’t exit the menu and hide it. Instead, you’ll have to let it disappear on its own without touching anything for 10/30sec.
What do you think of the PortKeys Bluetooth Module? Do you think it is useful for the BMPCC 4K/6K cameras? Do you already have the PortKeys BM5 monitor? Let us know in the comments!.
On top of the P6, there are four control buttons to quickly access your favorite functions, an On/Off switch, and four buttons to navigate through the menu. To mount the monitor on your camera, there is a 1/4 20″ mounting point at the bottom and one on the right side.
As you can see, the PortKeys LH5P represents a good value for money compared to other monitors in the same price range, but it will be up to you to decide if it ticks all the boxes for your needs.
As I mentioned earlier, the Portkeys PT5 casing is made out of ABS plastic. It feels like good quality plastic, but I wouldn’t want to drop the monitor just to check if it survives.
Optimize the camera control interface and functions: improve the aperture display accuracy of BMPCC4K/6K. Fixes an issue where the BMPCC 4K resolution cannot be switched to 4K 2.4:1 4096×1720.
proficiency in filmmaking – you know your stuff in one or more areas of filmmaking (producing, editing, directing, cinematography, post-production …).
And this is the feeling you get, colors are not off, but you can make them better by adjusting the contrast a bit and the chroma/tint settings by plus or minus two/three. If you have an i1 Display Pro prob, you can even re-calibrate your LH5P yourself later down the road if needed.
However, the original PortKeys LEYE had one major drawback: you need to power it externally. For example, suppose you have a small DSLR/mirrorless/cinema camera. In that case, you probably don’t want to unnecessarily rig your camera with V-Mount batteries or a power bank only to feed an EVF.
First of all, the two Allen screws are not imperial, which is arguably more often used in the filmmaking world; they are metric-standard. Next, the screws were so tight I thought I would break them before even using the monitor mount. I had to put the round piece in a vice to unscrew these two screws finally. That’s not cool, but everything is in place, so let’s install it on the top handle!.
In theory, this combo should work very well. The Portkeys BM5 monitor (for detailed specs see our article here) is a 5” FHD monitor which allows via a separate cable to display and change settings in the camera’s menu on the touchscreen – on our early prototype this didn’t work though and a newer firmware wasn’t yet available.
The display has a resolution 1920 x 1080 resolution, with a maximum brightness of 500 nits. It is also a touchscreen display to navigate inside the menu. However, this brightness will fall slightly short in bright daylight shooting conditions, so I would not call it a daylight viewable monitor.
I have tried this option in practice but quickly abandoned it for moving shots, as the motion blur (or partial lack thereof) of the resulting image looks weird. It may work for a static interview though, or a situation where the scene demands a higher shutter speed (1/200 and up).
Also, it is a WLED display, and the panel itself is 10-bit (8+2 FRC), so not “true” 10-bit, even if very few monitors are real 10-bit.
However, the 5-inch display of the BM5 is a little too small sometimes, especially for focusing or precise monitoring tasks. There’s some good news though since PortKeys is now improving their 7-inch monitor lineup by introducing a Metal Edition of their already-existing HS7T monitor. Let’s take a look at the improvements.
One thing to be aware of is the fact, that for ProRes no in-camera playback option is available (firmware version 0.86 at the time of shooting). I hope this changes with a future firmware.
While the BM5 features every tool you need nowadays, this is not what caught my attention. What’s impressive is the “camera remote” port and the remote camera functionalities.
Out of the box, the colors and images coming out of the PT5 are extremely good, and I would say close to being 100% color accurate. I only lowered the saturation by 3-4, and that’s it. I was delighted by what I saw, and I would not be that surprised if Portkeys calibrate each monitor out of the factory. The image is crisp and clear, which is impressive for an entry-level product.
The lock buckles have a different design from the “traditional” ones you can find everywhere, which usually break quickly. These Manfrotto lock buckles are smooth, and it looks like you only need to get the center part inside for it to engage. It’s hard to describe, but a picture is worth a thousand words.
The new 4K Monitor Module 750 TX, like its RX (receiver) brother, bolts cleanly onto the back of any SmallHD Smart 7 monitor. That means the whole unit then only requires one power source, one input, one mounting point. It functions much more like an extension of the monitor than a secondary unit. If you already favor SmallHD monitors this is great news, but unfortunately it boxes out other manufacturers.
Manfrotto put some thick and quite long metal pull straps at the end of the main compartment and gimbal zippers, so it’s easy to open/close the most-used bag’s pockets.
I got away with around 3 hours of battery life at the maximum backlight setting. To me, this is a decent battery life for an on-camera monitor powered by a small battery. However, if you do the maths, a big Sony NP-F970 battery could theoretically run the PT5 for more than 12 hours!.
Let’s talk quickly about the batteries’ technology. According to Volta Cinema, the Volta36 uses the same 21700 cells as Tesla uses in their cars. These cells allow them to pack more energy in a smaller format.
Other than the sensor upgrade, all the features are the same as can be found in the original Z CAM E2, including the same 10bit ProRes recording to CFast cards. Z CAM only published the spec sheet for the 6k S-35 version that you can check out below. On the recording format front, the company will support internal RAW recording via a firmware update soon. More details will be revealed at the end of April.
you’re still getting based on the reach of your “old” articles if you continue to write regularly for the site, it’s all very transparent – loyalty is welcome and awarded.
Also, once the image looks acceptable, you can start seeing that the display doesn’t have a high density of pixel: 441ppi, according to the manufacturer. If you’re pixel peeping, you can see individual pixels on the screen.
To power the camera, you can use Sony NP-F batteries or use the DC 12V 5A LEMO power port. Finally, there is an ethernet port for control/setting/live streaming, a Wifi antenna port, a USB port, and an HDMI output. Also, you have full camera control (including monitoring) through a phone application.
The next bundle includes the newer flagship full-frame mirrorless camera from Panasonic – the LUMIX S1H (our Review, our Lab Test). The camera can record up to 6K 30P or a wide range of 4K modes. It offers nice ergonomics, good IBIS, and relatively clean images with high ISO.
The great thing about the BM5 and HS7T is that they are equipped with both HDMI and SDI inputs and outputs. 4K video signals up to 30fps and FullHD up to 60fps are supported over the HDMI, while the SDI connections only support 1080p signals up to 60fps.
The OEYE-3G is targeted at professional users, while the PortKeys LEYE fills a big hole in the market for enthusiastic/filmmakers that don’t use an external viewfinder on a daily basis and are looking for an EVF that doesn’t break the bank.
The same type of battery can be used for the Portkeys BM5 monitor as well which is a big plus, and I needed all the spare batteries for the monitor, as its power consumption was quite high.
If you have a lot of spare time, you can watch the six hours (!) long RED Komodo Owners Q&A Discussion video which was live-streamed over at Scott Balkum’s Youtube channel. Apart from Scott, there was also Phil Holland, Tim Daust, Curtis Boggs, and Phillip Grossman present at the video. Even Jarred Land, president of RED Digital Cinema, joined in for a while and shared some background information regarding Komodo.
Disclaimer: As usual, let me first say that I am not representing Volta Cinema in any way. Like with all our unbiased CineD reviews, Volta Cinema, or any other brand, did not pay me to write this article. However, the company sent me the product to review for free. This review is my unbiased opinion, as Volta Cinema did not modify, influence, or gave input about the article before its publication.
Ahead of NAB 2019, Chinese company Z CAM has announced three new versions of their Z CAM E2 camera, with S35 and Full Frame 6/8K sensors. Now during the show, we had a chance to talk to Kinson Loo from Z CAM and hear more about what to expect. Let’s take a look at this upgrade!.
To make things even more secure, there is even a side of the battery with a cut-out. I have no worries about inserting the batteries inside the handle or the battery charger.
Edit: just after completing this review, Z CAM introduced a new firmware update (V 0.88) featuring ZRAW (internal RAW capture, partial debayer, supports up to 4096×2160@30fps initially). We might take a closer look at this ZRAW firmware in the near future.
In short, at least on paper, it seems like the LH5H comes with all the tools you need to correctly judge the exposure of your image and frame your shots correctly.
payment is based on the amount of articles written and on success and reach (not a full time employment, it’s supplemental income but has the potential to become a considerable sum that you can profit from long-term).
The number of software features included is impressive. Unlike the Gratical X for example, all software features are included for free, and the PortKeys OEYE-3G EVF firmware can be upgraded through the USB port. These features include:.
Disclaimer: As usual, let me first say that I am not representing Volta Cinema in any way. Like with all our unbiased CineD reviews, Volta Cinema, or any other brand, did not pay me to write this article. However, the company sent me the product to review for free. This review is my unbiased opinion, as Volta Cinema did not modify, influence, or gave input about the article before its publication.
To modify a tool’s settings, you have to hold the icon of the tool you want to adjust in the sidebar and slide to the right at the same time. I’ve been able to make it work, but even with the user manual, it’s not straightforward, and it took me a dozen tries to get to the tool adjustments settings.
But, you’ll have to handle all that extra tripod weight on your back, the unbalance, and the Flexloader L will flip over when you put it on the ground. Also, it’s not very practical to access the bag’s camera compartment.
You got it; I love when I’m working with and not against an on-camera monitor. A third-party monitor should feel like a natural addition to your rig and not an add-on that you don’t want to bring/mount on your camera.
This interesting bundle includes the newest APS-C mirrorless camera FUJIFILM X-T4 (our review). With its 26.1MP sensor, the camera can record up to 4K 60P uncropped video in 10-bit in F-Log. It offers nice ergonomics, good IBIS, and flip-out screen. The bundle further includes the 5″ 1000nit monitor/recorder Atomos Ninja V and SanDisk 128GB 300MB/s SDXC memory card.
The stickers were a bit of an afterthought when we realized not many of the clients were actually watching the video guide before using the handle. It has resulted in a couple of instances where the battery was forced in the wrong way, and it broke the pins (which is also why we provide the supplementary set).
There are two little charging indicators on top of the Volta36 battery charger that goes from red (charging) to green (charged).
The Z CAM E2 follows the “brick” look – like the RED ecosystem – and you will need some accessories to make it work properly. Some third-party manufacturers have started to implement it in their development, like PortKeys with their BM5 that can control the camera.
Apparently, this design is becoming quite popular. In fact, the new FEELWORLD F7 PRO has a very similar feature, which makes it a good director or 1st AC monitor on a budget. Let’s take a closer look.
The Volta Kit is available now and includes the top handle, two batteries, a battery charger, and a NATO rail for €140.00. The monitor mount will cost you an additional €40.00. You can purchase an extra pack of Volta36 batteries for €50.00.
It means that you’ll have a hard time trying to calibrate it correctly by hand with only a few built-in picture adjustment tools at your disposal in the menu system. In short, on-camera monitors must be as good as possible out of the box with minimal color adjustments needed by the end-user.
First of all, the two Allen screws are not imperial, which is arguably more often used in the filmmaking world; they are metric-standard. Next, the screws were so tight I thought I would break them before even using the monitor mount. I had to put the round piece in a vice to unscrew these two screws finally. That’s not cool, but everything is in place, so let’s install it on the top handle!.
Indeed, the Volta36 batteries are 36Wh/5A batteries; that’s a lot of juice in such a small package. In the graph above, you can see the capacity to weight ratio compared to other battery solutions.
The PortKeys BM5 camera remote functions are compatible with the Z Cam E2, Sony/Canon/Panasonic cameras. Full list below.
To install a battery inside the handle, all you have to do is unscrew the front cap with a coin. The battery door threads on the inside are pretty short, and it only takes you half a turn to loosen it fully.
PortKeys listened, and a new generation is now available with a power switch. If you have the previous version, you can contact PortKeys directly and they will provide you (for free) with everything you need to update your handle. If you want to learn more about the PortKeys KeyGrip, you can read our in-depth article here.
The EVF is built with all aluminum construction and the OEYE-3G EVF weighs in at a very manageable 400 grams. Three custom user buttons are available and you can mount the EVF using the ARRI Rosette or two provided 1/4″ holes. There is also a headphone port on the back for monitoring audio.
But best of all, if you get a pair the Teradek 4K Monitor Modules (one TX and at least one RX) and an ARRI camera (available now) or a RED camera (software update coming soon), you will be able to fully control the camera from your wireless monitor. This is a huge win for high-end drone pilots, shooters in remote locations, or DPs who just wants to drop their ISO or change ND from video village.
That’s many included accessories for an entry-level/budget monitor and even more than some previous and more expensive options Portkeys has to offer.
On top of the LH5H, you’ll find four customizable function keys, a power switch, and four buttons to access and navigate inside the menu. At the bottom of the monitor, there is one camera control mini-USB port (more on that later) and a 5-pin motor camera control port that doubles up as a DC 7-24V power output port.
As I mentioned previously, you can navigate inside the UI via the touchscreen or the physical buttons. But, you can also turn off the touchscreen by long-pressing the power button. It’s nice to have that option if you want to avoid fingerprints on your display!.
The PortKeys Universal Handle is made out of milled aluminum frame wrapped with red oak around the handle. The design looks ergonomic and comfortable, and I love the sleek design and look of it. Also, it comes with a faux-leather strap for a better grip.
The FEELWORLD F7 PRO is now available for purchase on the FEELWORLD website, coming at an affordable price of $239. FEELWORLD is also offering a discount during the first week of the release, when using the promo code FEELWORLD F7 PRO at the time of purchase. Included in the box are a Micro-HDMI Cable, a Sunshade, and a Mini Hot-Shoe Mount.
I’m currently finishing our review of the PortKeys LH5H that will be released very soon, so keep an eye on CineD if you want to learn more about these affordable on-camera monitors.
Let’s make it simple here; the PortKeys LEYE II has its predecessor’s same features and specifications. In a nutshell, that includes:.
At the back of the Black Mini, there is a built-in Sony NP-F and Canon LP-E6 battery bracket, similar to the one found on the Portkeys PT5 that I already reviewed. To use a Canon LP-E6 battery, simply slide it to the left.
If that wasn’t enough, it also has recording capability and Bluetooth connectivity. Compatible with virtually every input and setup, it even allows you to control internal features like shutter speed and focus when used with certain camera models.
The currently retails at Amazon for $89 with by using this discount code at checkout: Y2DWYGBM. The special offer ends on October 5th,2021, at 23:59 PDT.
The E2 already received a firmware update version 0.95 that you can download here. The Atomos Ninja V will receive a firmware update later in June 2020. Both of these firmware updates are free.
The Chinese manufacturer PortKeys is starting to be well-known for making affordable monitoring solutions for filmmakers with a lot of built-in monitoring and camera control features. We first heard about the company with the fully-featured BM5 monitor that can control your camera, then more recently the LH5H that is HDMI-only which we are currently reviewing – stay tuned for more info about it.
The BM5 III WR is now a little bit bigger than its predecessor, with a 5.5″ display compared to the previous 5.2″ one. Also, the monitor features built-in monitoring tools, including:.
One of the things I love the most about my PortKeys BM5 is its build quality. The aluminum alloy makes the monitor sturdy and reliable. Moreover, it is packed with professional features that come at an astonishing, affordable price.
There are quite a few 5”/5.2” on-camera monitors available on the market, at various price-point. It doesn’t make sense to compare the LH5P to some of the big boys like the SmallHD 503 Ultra bright that retails for eight times the price of the PortKeys.
Pretty much every tool you need is here to judge your image, except Zebras and a Vectorscope, but that’s already decent for an entry-level on-camera monitor.
However, and this is something to keep in mind while you’re reading this entire review, the is only $89, and it’s an entry-level on-camera monitor. At this price point in the filmmaking world, you usually can’t buy many products, especially monitors or products with any electronics inside.
The Manfrotto PRO Light Flexloader L is available now for $329.99/€227.35. It can seem like a fairly high price tag, but the price/feature ratio is incredible and you’ll probably have a hard time finding a more affordable solution that offers you better build quality, versatility, and reliability.
There is a loupe in front of the display, but it doesn’t look like you can flip it/remove it, according to the pictures. To fit nearly every filmmaker, the loupe of the LEYE features a +8 to -3 diopters adjustment. Also, the loupe’s back is totally round, with a “sponge eye mask” that prevents LCD sunburns and allows users with glasses to look at the EVF easily. However, no “traditional” eyecup is included, which is a little bit of a bummer.
The bundle further includes the Sigma MC-21 adapter for Canon EF lenses and the 5″ monitor/recorder Atomos Ninja V. With the Ninja V, you can take advantage of recording in 12-bit ProRes RAW with this camera. In this price range, it is a very interesting combination.
The new Z CAM E2’s will be available in October 2019. To me, pricing is impressive, for cameras with that many features:.
Indeed, the Flexloader L comes with a built-in TSA lock that allows you to securely close your bag when you’re commuting, for example.
Great monitoring tools, including 3D LUT monitoring, waveform, false color, zebra, peaking, zooming, audio meters, crosshair, framing guides, grids, aspects.
Anyone who has ever set foot on a film set likely saw a half-dozen actors and crew members standing over a camera operator’s shoulder, watching the shot through a screen attached to the camera.
However, on the Porkeys PT5, I found that even at maximum brightness, the image doesn’t shift a lot, and blacks are still pretty dense. I guess it’s mainly because the PT5 has a full brightness of 500nit only.
The monitor mount came in two parts. The round piece’s screws had threadlocker which makes removing them really hard, but you have to do it to assemble the monitor mount together.
The batteries have two power connectors (plus and minus) used to charge them and connect to the handle’s pins. Also, there are small coded pins, so you can’t insert the battery inside the handle or charger in the wrong direction.
Is the Volta Cinema Top Handle perfect? Of course not, and like most products, it could be improved. But, I have mixed feelings about it. While the product feels incredible when you use it, many small details (the stickers, battery charger, monitor mount, etc..) make me a bit worried about its longevity.
The bundle further includes the Sigma MC-21 adapter for Canon EF lenses and the 5″ monitor/recorder Atomos Ninja V. With the Ninja V, you can take advantage of recording in 12-bit ProRes RAW with this camera. In this price range, it is a very interesting combination.
To make it short, all you have to do is purchase the right cable for your camera with the monitor – also available separately – and plug it from the LH5H to the camera. Then, you’ll be able to trigger the recording, navigate through the menus of the camera, change your settings, and so on.
Fast forward 10 years and I have the new cinema camera Z CAM E2 from the Chinese manufacturer Z CAM in my hands. A micro four thirds camera capable of shooting 4k DCI using a LOG profile (Z-LOG2) recording ProRes HQ 10bit 4:2:2 internally up to 60fps (4k H265 up to 120fps, 160fps in 1:2.4 mode). Wow!.
Some companies try to enter the EVF market with a monitor and a loupe attachment. It’s the case with products from SmallHD, with their SmallHD 502 + viewfinder attachment, and F&V with the SpectraHD 4 EVF. While these two solutions can be helpful, they are also quite bulky.
If you wish to attach your monitor to a 1/4-20″ mounting accessory, all you have to do is put a 3/8-16″ to 1/4-20″ threaded insert. Simple and easy, I guess implementing this type of mounting option at the bottom of every monitor is easy to make, making every filmmaker happy.
However, I’ve been able to try the camera control features with my Panasonic GH5, and it worked flawlessly. I’m not a massive fan of big camera setups with tons of cables, so I tried it to see if it work, but I don’t see myself using it. It’s nice to have these camera control capabilities; it works perfectly fine, it’s great to have it, and I’m sure it’ll fit a lot of filmmakers’ shooting style.
As you can tell, there are many different ways to power it, which is nice. Also, the monitor only draws 6W of power, which means it should have fairly long battery life.
The HDMI ports are located on the left side of the monitor. There’s also a 3.5mm headphone jack in the middle of the ports.
Temperatures in the Indian jungle would be as high as 45°C, the climate is very dry hence exposing the gear to the bumpy, dusty roads in an open jeep got me a bit nervous. Would the cam and the monitor survive?.
There are many 5″ on-camera monitors available on the market, with different price ranges depending on features you need/want. So I decided to compare the Porkeys PT5 ($169) to the Atomos Shinobi that retails for a $299 price tag ($130 more expensive) and the FeelWorld F5 that is $149.
The team at PortKeys is moving fast, and two weeks after the announcement of their latest P6 monitor, they just released a new product. However, this time they are not back with a display, but with a camera handle. This handle is a new kind of product for PortKeys, but it features the same leitmotiv as their monitors: affordable, innovative, and high-quality.
I had to read instructions to find simple functions. For example, when you’re on the Function page, I activated the Frame Guide tool by tapping on the screen and activating it on the side. Then, I could not find where to adjust the settings and aspect ratio of that tool.
The PortKeys LEYE is available now for $399. It comes with a right-angle HDMI adapter, a sponge eye mask, a USB thumb drive with the user manual, and a D-Tap to barrel connector cable.
Last but not least, there is one user-assignable Function button to turn On/Off your favorite tool quickly; that’s great. But, to activate/deactivate all the other non-assigned built-in tools, you always have to go inside the menu, do your thing, let the menu disappear, and so on. It is a bit of a letdown if you’re often switching between different tools, which is a bit of a disappointment and can slow you down.
If you’re a regular CineD reader, you’ve heard us talk and write about Portkeys – a Chinese company specialized in creating monitors and viewfinders. Indeed, we’ve reported numerous times about their products that feature an incredible price/feature ratio, including their latest Portkeys BM5 III WR that can control the RED Komodo or the Portkeys LH5P that I reviewed earlier this year.
Also, there is a USB Type-A port at the bottom of the monitor that you can use to power the LH5P via a power bank (5V/2A). If you power your monitor with a Sony NP-F battery, this USB port doubles up as a 5V/1A power output that could charge your smartphone at the same time just fine.
This style of cameras usually comes with lots of external ports, and the Z CAM E2 is no different. There is a 10-pin LEMO port for timecode sync, as well as a 2.5mm LANC jack. In terms of audio, there is a 3.5mm mic output plus headphone jack and a 5-pin LEMO port for a dual channel XLR microphone.
This feature is helpful for live streaming purposes, and according to VIDEOGEAR, there is “zero latency, and it supports video platforms like Skype, Facebook, YouTube, Twitch, Periscope, Zoom, and more.” Though I did not test that feature of the monitor.
Also, it is a WLED display, and the panel itself is 10-bit (8+2 FRC), so not “true” 10-bit, even if very few monitors are real 10-bit.
I received the Volta Cinema Top Handle in two boxes. In the first one, there was the handle, a NATO rail with two 1/4″-20 screws, and some extra connection pins in case the handle break. There were two batteries with one charger in the second box. Also, they included optional accessories: a dummy D-Tap to LP-E6 battery cable and the monitor mount.
The PortKeys LEYE electronic viewfinder was first announced back in November 2020. This 4K HDMI-only EVF had a nice and compact form factor (106 x 70 x 78 mm) for a weight of 300g. In addition, the LEYE features a 2.4-inch display with a resolution of 1440 x 900, and can take signals up to 4K at 30 frames per second.
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The same type of battery can be used for the Portkeys BM5 monitor as well which is a big plus, and I needed all the spare batteries for the monitor, as its power consumption was quite high.
Out of the box, the colors and images coming out of the PT5 are extremely good, and I would say close to being 100% color accurate. I only lowered the saturation by 3-4, and that’s it. I was delighted by what I saw, and I would not be that surprised if Portkeys calibrate each monitor out of the factory. The image is crisp and clear, which is impressive for an entry-level product.
Talking about the bottom of the Flexloader L, there are two rugged bumpers under the dense nylon cover. These bumpers will help reduce impacts when you put your bag on the ground.
One thing to be aware of is the fact, that for ProRes no in-camera playback option is available (firmware version 0.86 at the time of shooting). I hope this changes with a future firmware.
To give you an idea, one of my Manfrotto Reloader Air-55 Pro zippers died two years ago. I sent it back, and they quickly sent me a brand new roller bag free of charge to replace it. That kind of service what professionals are looking for.
Also, Manfrotto put two thick rubber reinforcements/locking holes on the front and one on each side to create a tuck-away strap system.
Pretty much every tool you need is here to judge your image, except Zebras and a Vectorscope, but that’s already decent for an entry-level on-camera monitor.
The Z CAM E2 cinema camera is a great new addition to the line of micro four thirds cameras, and got so many things right in the first place – first and foremost the image (audio via the 3.5mm input leaves a lot to be desired though).
As Phil Holland wrote, aside from REDCODE RAW files, the camera can also shoot ProRes MOV files for quick turnaround. They are available in HQ and 422 for both 4K and 2K resolutions. According to Phil, the camera can’t record both at the same time.
The great thing about the BM5 and HS7T is that they are equipped with both HDMI and SDI inputs and outputs. 4K video signals up to 30fps and FullHD up to 60fps are supported over the HDMI, while the SDI connections only support 1080p signals up to 60fps.
The FX9 is Sony’s new full-frame cinema camera. Announced in September 2019, it offers solid 10-bit internal recording modes, very good autofocus, audio, internal eND, and more.
Back on the Function page, you’ll find a little “+” icon on the left. Press it, and you can assign any of the monitoring tools as a shortcut in the toolbar.
First is to put a Canon LP-E6 or Sony NP-F battery at the back of the monitor. Indeed, the built-in battery bracket supports both type of batteries natively, which is very smart and reminds me of the SmallHD 700 series of monitors.
The addition of this plate easily turns the F7 PRO into an affordable, compact director or 1st AC monitor. Furthermore, the vertical position of the NP-F style plate can be adjusted by loosening two screws in order to adapt to a wider variety of systems.
In the end, you’ll probably end up not using the case, which is a bit of a shame. I think most filmmakers would have preferred spending a little extra money to get a larger case that can fit a couple of accessories. But, this is a budget-friendly monitor, so I understand that PortKeys have to save money somewhere, and this is already nice to include a case for the price.
I have tried this option in practice but quickly abandoned it for moving shots, as the motion blur (or partial lack thereof) of the resulting image looks weird. It may work for a static interview though, or a situation where the scene demands a higher shutter speed (1/200 and up).
You got it; when carrying the Manfrotto PRO Light Flexloader L, you have choices, and it can rest on your shoulders for hours. The Manfrotto team put a lot of effort into making a comfortable bag. Being comfy is crucial as the Flexloader L can quickly become heavy considering how many compartments and how much stuff you can put in it.
The direction of the NATO rail mount can’t be adjusted, like other top handles on the market, which is a bit of a letdown.
To power the camera, you can use Sony NP-F batteries or use the DC 12V 5A LEMO power port. Finally, there is an ethernet port for control/setting/live streaming, a Wifi antenna port, a USB port, and an HDMI output. Also, you have full camera control (including monitoring) through a phone application.
I would suggest getting a case for transporting these batteries inside your camera bag. Maybe Volta Cinema will come out with a battery pack holder in the near future.
The PT5 has a claimed maximum brightness of 500nit, which is not daylight-viewable like monitors with a brightness under 1500nit. It does not mean that you can’t use it outside with the included sun hood, but you’ll have a hard time in direct sunlight. The glossy display doesn’t help with that, but we’ll talk more about that later.
To celebrate our relaunch to CineD, our partner CVP prepared some special deals for our European readers. These include popular cameras from Canon, FUJIFILM, Panasonic, Sony, and Z CAM bundled with useful accessories. (All prices are including VAT).
According to Manfrotto, these “SAS-TEC” structural reinforcements feature exclusive viscoelastic memory foam for multi-impact endurance. Unfortunately, I did not open the bag with a knife to verify, but the bottom bumpers did well during my testing.
However, for the past four years, I finally found some solutions that work for me. I purchased and used Manfrotto rolling bags – including the Pro Roller Bag 70 and Reloader Air-55 Pro – and they’ve been real workhorses. They’ve been a joy to use and what carries all my camera equipment 99% of the time. The Windows vs. macOS debate is as big as the backpack vs. rolling case one, but both solutions have pros and cons.
On the left side, the P6 features two HDMI ports (input/output) that accept 4K signals. Also, in the middle of the HDMI ports, there is a 3.5mm headphone jack output. At the bottom of the monitor, there is a DC 7.4-24V barrel input/output port that you can use to power the monitor or power your camera. Finally, there is a USB-A port for future firmware upgrade, loading your own LUTs, or charge your smartphone (5V output).
Full-frame 12MP sensor, UHD in up to 120P, Full HD in up to 240p, all modes available in 10-bit 4:2:2 internally, no overheating, (almost) no crop, flip-out screen, full-size HDMI… This camera seems to tick a lot of boxes.
What I always liked about the micro four thirds format is the possibility to adapt almost any lens, including the option to use a speed booster (0.71x). The speed booster allows the use of Canon EF glass for example, while at the same time increasing the light sensitivity by one stop.
To charge batteries, all you have to do is slide them into the battery charger. The pins inside the charger will align with the battery connectors, and it’ll start charging. However, the batteries are not locked into place in the charger.
The batteries are best isolated from one another when traveling as long as there are other metallic components in the compartment. We haven’t yet experienced a short after months of use. They have short circuit protection, but as you know, in case it does happen it requires the user to connect them to the charger in order to restore them.
For BMPCC 4K/6K users, you can even control your camera wirelessly. You don’t need the additional BT1 Bluetooth module with the LH5H, as it is built-in inside the monitor. It means that you can control your BMPCC 4K/6K wirelessly out of the box!.
However, even if I found the UI easy to understand, there are some things I did not like. First, when you open the menu, it’ll stay open for a certain amount of time that you can adjust between 10 and 30 seconds. But when you’re done, you can’t exit the menu and hide it. Instead, you’ll have to let it disappear on its own without touching anything for 10/30sec.
As you can tell, even my iPhone 11 is more significant than this monitor! Indeed, the Portkeys PT5 has dimensions of only 136 x 72 x 17mm for a weight of 130g/0.28lbs. I was shocked at how light it is when I took the PT5 out of the box; it weighs almost nothing, mainly because the casing is made of ABS plastic.
proficiency in filmmaking – you know your stuff in one or more areas of filmmaking (producing, editing, directing, cinematography, post-production …).
A quite surprising result on the rolling shutter measurements, which adds up to the very positive overall impression: in 4K DCI 25p mode (using ProRes HQ and ZLOG2) I got a very good result of 11.1[ms]. For comparison, the BMPCC4k has a rolling shutter of 16[ms] in UHD 25p mode.
Also, there is a USB Type-A port at the bottom of the monitor that you can use to power the LH5P via a power bank (5V/2A). If you power your monitor with a Sony NP-F battery, this USB port doubles up as a 5V/1A power output that could charge your smartphone at the same time just fine.
One feature that sets the PortKeys LH5P apart from many of its competitors is that it can control your camera. To make it work, you have to connect an optional cable from the monitor’s dedicated mini-USB port and connect it to your camera.
In total, you can put up to twelve monitoring tools on the sidebars. Then, when you’re set, all you have to do is press an icon to enable/disable this tool. In addition, you can long-press on a shortcut to change it or remove it from the side.
Jarred said RED has been working on the Komodo for around five years already. The whole idea behind it was to provide filmmakers with a better crash camera. A camera that is small enough to fit in tight places, but still produces RAW footage that is more flexible in the post-production and can better intercut with large cinema cameras, than a GoPro.
Chinese manufacturer Portkeys is well-known for creating innovative on-camera monitors and viewfinders with very aggressive price/feature ratios. For example, they recently released the Portkeys BM5 III WR that can control the RED Komodo and is now RED Approved. Also, I reviewed their Portkeys LH5P monitor earlier this year, a monitor under $400 can control your camera.
To give you a rough idea, the PT5’s maximum brightness is slightly over the Canon EOS C70’s display, which is also hard to view in bright daylight conditions.
The Z CAM E2 M4 is a new addition to the Z CAM line. It is basically the original Z CAM E2 without some functions in a new body and with a lower price tag. For more information about this interesting modular Micro Four Thirds camera, make sure to check my article from its launch. Besides the camera body, this bundle further includes the PortKeys BM5 MKII Monitor (which can control the camera) and Hawk-Woods DV-F990 Battery.
Z Cam E2C cinema camera rigged up with a monitor (Portkeys BM5) and a ZOOM H2 (not visible, behind the monitor) for audio capture via the 3.5mm input.
What is unique with the Volta Cinema Top Handle is that it is the first design I saw where you could swap batteries to use it infinitely if you have enough batteries. With very little information available on the Internet and no reviews yet, we reached to the company to see if it holds all its promises.
A quick word about the dummy battery that came with the top handle. There’s nothing revolutionary here, it’s a classic D-Tap to Canon LP-E6 dummy battery, but the cable has the perfect length to power a monitor attached to the monitor mount.
On the left side, the P6 features two HDMI ports (input/output) that accept 4K signals. Also, in the middle of the HDMI ports, there is a 3.5mm headphone jack output. At the bottom of the monitor, there is a DC 7.4-24V barrel input/output port that you can use to power the monitor or power your camera. Finally, there is a USB-A port for future firmware upgrade, loading your own LUTs, or charge your smartphone (5V output).
The BM5 is PortKeys’ new 5-inch 1080P flagship field monitor. It features an HDMI and SDI input, and an SDI output with cross-conversion. In case you need to monitor your sound, a 3.5mm output jack is located on the left side. There is a USB port at the bottom of the monitor for future firmware upgrades.
I went through the current deals on our partners’ websites and have selected the best offers currently available, which I think could be interesting for you. Some offers are only available at american store B&H, some offers only at european store CVP, and some offers are available globaly with both our partners.
The functions you can control are pretty basic at the moment: start/stop the recording, change your ISO settings, adjust the focus settings…etc. I think this is just the beginning.
On the Black Mini, there is only one HDMI input port. The monitor supports a maximum input resolution of UHD at up to 30p and FullHD at up to 60p. My findings are a bit different from the manufacturer’s claim of “4K 60Hz”, but it’s already pretty good.
The PortKeys LH5P is available now for $399.00, and the package includes a straight to elbow DC power cable, one camera control cable, a safety box, and a USB stick with the instructions. The LH5H currently retails for $100.00 less at $299.00 and can be a nice option if you don’t need the extra aluminum toughness. For more information, please visit PortKeys’ website here.
This type of case is similar to most – if not all – Portkeys monitors. However, I was pleased to see that this case is more prominent than previous cases.
The currently retails at Amazon for $89 with the following Y2DWYGBM code. This special offer ends on October 5th,2021, at 23:59 PDT.
Disclaimer: All orders and responsibilities to supply the goods at a discount price within the agreed time frame are on VIDEOGEAR. CineD is not related to the company in any way but will get a 5% affiliate commission on every monitor sell made via Amazon.
Some companies try to enter the EVF market with a monitor and a loupe attachment. It’s the case with products from SmallHD, with their SmallHD 502 + viewfinder attachment, and F&V with the SpectraHD 4 EVF. While these two solutions can be helpful, they are also quite bulky.
The PortKeys LEYE features a 2.4″ LCD screen with an effective resolution of 1440 x 900. The display is 8-bit – which is enough for framing your shots -and has a maximum brightness of 300nit with a 1100:1 contrast ratio.
According to Manfrotto, these “SAS-TEC” structural reinforcements feature exclusive viscoelastic memory foam for multi-impact endurance. Unfortunately, I did not open the bag with a knife to verify, but the bottom bumpers did well during my testing.
The Volta Cinema Top Handle attaches to your camera or rig via a NATO rail. The handle comes with an extra piece of rail and two 1/4″-20 mounting screws if you don’t have one.
Also, there is a 3.5mm headphone jack if your camera doesn’t have one or if you want to monitor your audio signal directly from the PT5, which works fine.
In short, the PortKeys LH5P has plenty of input/output power ports, which is nice, as some much more expensive options out there don’t offer that much.
On most on-camera monitors (the ones that are not OLED), if you crank up the brightness to its maximum setting, the display tends to lift the image’s black parts. In short, blacks are not black anymore, but more on the grey side, and the picture becomes a little washed out.
The EVF is built with all aluminum construction and the OEYE-3G EVF weighs in at a very manageable 400 grams. Three custom user buttons are available and you can mount the EVF using the ARRI Rosette or two provided 1/4″ holes. There is also a headphone port on the back for monitoring audio.
The PortKeys LH5P does have a built-in fan. In the menu, you can set it to low, medium, or high. I left the fan at a “low” setting during all my testing, and the monitor did not get super hot.
First of all, the two Allen screws are not imperial, which is arguably more often used in the filmmaking world; they are metric-standard. Next, the screws were so tight I thought I would break them before even using the monitor mount. I had to put the round piece in a vice to unscrew these two screws finally. That’s not cool, but everything is in place, so let’s install it on the top handle!.
The FEELWORLD F7 PRO is now available for purchase on the FEELWORLD website, coming at an affordable price of $239. FEELWORLD is also offering a discount during the first week of the release, when using the promo code FEELWORLD F7 PRO at the time of purchase. Included in the box are a Micro-HDMI Cable, a Sunshade, and a Mini Hot-Shoe Mount.
Also, there is a 3.5mm headphone jack if your camera doesn’t have one, or if you want to monitor your audio signal directly from the LH5H, which works fine.
The Z CAM E2 also offers an HDR mode, where it captures a second image with an 8 times higher shutter speed for the highlighted part and merges it into one video frame (to increase the dynamic range by additional 3 stops).
I’d say that from 0 to 25% brightness, black levels are okay, but you’ll have to consider gamma shifts if you go higher than that, which you’ll do if you go outside.
This can seem quite simple. However, to access these pages, you have to swipe the monitor in various directions to go to the desired page. For example, for the System page, you have to swipe left. For the function page, it’s a swipe on the right. The Control Settings page needs a swipe down and a swipe up for the motor page. It’s not easy to memorize, and there’s no visual indication of the page you’re currently in. But it doesn’t end there.
You can get the gimbal inside the bag; it works. However, I’m not a massive fan of putting some stress on a motorized gimbal that will take some pressure from my back.
PortKeys, the Chinese company specialized in on-camera and field monitors, has just announced a new camera accessory: the PortKeys Universal Handle. This handle allows you to control your camera and adjust settings. It is compatible with all major brands/cameras on the market, including Z-Cam, Blackmagic Design, RED, Canon, Sony, and so on. Let’s take a closer look at the PortKeys Universal Handle!.
If you remove the pouch that comes with the bag, you can put a monitor – in this picture, the PortKeys PT5 that I reviewed here – and some SSD hard drives.
As far as specs go, the 4K Monitor Module 750 TX is no slouch. It features zero-delay 4K30p video, 10-bit 4:2:2 HDR video, and of course the titular 750ft of transmission.
CVP Buy link: Panasonic Lumix G9 Camera Body with 12-60mm f/2.8-4 Lens Was: €1,381.43 Now: €1,118.24 (Savings: €263.19, Free accessories, Free 25mm f/1.7 lens, and Free 3-year warranty).
By shopping at our partners’ stores, you are supporting cinema5D through our buy links, as we get a small affiliate commission when a purchase is completed.
The sun hood consists of two parts: a plastic sun hood and a mounting bracket—the bracket clips onto the monitor, and the sun hood attached to it via some velcro.
PortKeys has just released a new electronic viewfinder for DSLR/Mirrorless camera shooters with only one HDMI input that can take a 4K video signal: the PortKeys LEYE. This very compact EVF fills a hole in the market with an affordable price tag of $399. Let’s take a closer look at it!.
CVP Buy link: Panasonic LUMIX GH5 Camera Body with 12-60mm f/2.8-4 Lens Was: €1,616.67 Now: €1,319.83 (Savings: €296.84, Free accessories, Free 25mm f/1.7 lens, and Free 3-year warranty).
DJI Osmo Pocket is the smallest Osmo yet. It combines camera with a 3-axis gimbal and fits literally in the palm. The camera still offers up to 4K 60fps video recording. Make sure to watch and read our DJI Osmo Pocket review for more information.
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