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I had to read instructions to find simple functions. For example, when you’re on the Function page, I activated the Frame Guide tool by tapping on the screen and activating it on the side. Then, I could not find where to adjust the settings and aspect ratio of that tool.
The currently retails at Amazon for $89 with the following Y2DWYGBM code. This special offer ends on October 5th,2021, at 23:59 PDT.
Key features: 7-inch IPS display, 1920×1200, 16:10 aspect ratio, 500 nits, 1200:1 contrast ratio, 160° viewing angle, 4K 60fps HDMI input and output, Touchscreen , Sony NP-F battery plate on the back to host and power accessories, Support for 50 custom 3D LUTs, Camera power supply , 5V USB-C Power Supply, 4x 1/4”-20 threaded holes, 330g, 175x105x22mm.
As I mentioned, the Portkeys PT5 does not have any physical buttons, and all the navigation is via the touchscreen. I’m glad there are only pages, as it is relatively easy to operate and understand, but there are also some drawbacks like the numerous fingerprints the screen will accumulate.
I went through the current deals on our partners’ websites and have selected the best offers currently available, which I think could be interesting for you. Some offers are only available at american store B&H, some offers only at european store CVP, and some offers are available globaly with both our partners.
The Z Cam E2C uses an MFT sensor (slightly smaller than the one used in the Z CAM E2) which allows DCI 4K capturing of up to 4K 29.98 fps in combination with the Z-Log2 flat picture profile.
Material Possession ltd, the company behind Volta Cinema, is a relatively new film industry player. The British company is run by Tudor Chirila, which first launched a non-successful crowdfunding campaign for the version of its Top Handle back in November 2019.
The Volta Cinema Top Handle is the company’s first product, designed with a simple goal in mind: create a top handle that can power camera accessories or even your camera via a D-Tap port. I had the chance to play with it for one month, and here are my findings.
To know more about the video capabilities of this camera, you can take a look at our Canon EOS R review. If you would like to use the EOS R as a B-camera to the Canon C200, check our article on the topic.
With a very affordable price of $399, this entry-level electronic viewfinder filled a hole in the market. And, if you have a camera without a built-in EVF – like the Canon EOS C70 or Sony FX3 – it could have been the perfect solution.
Let’s be clear, this new Portkeys BM5 III WR is not a massive upgrade over its predecessor, and most of the main features are the same, including:.
The PortKeys LH5P is mostly made out of aluminum with tempered glass in front of the screen. It doesn’t feel like it will break if you drop it, even if I don’t advise you to do so. The buttons’ are plastic, and they feel a bit “clicky,” it’s not incredible, but they’re ok.
A monitor of this size and weight makes a lot of sense to use with a small and lightweight battery, like a Canon LP-E6 pack, which is around 50 grams. Indeed, for example, a Sony NP-F 970 battery is 350g, which is twice the monitor’s weight; it looks a bit ridiculous. Also, Canon LP-E6 batteries are the same I use to power my Canon EOS R. I only have to use and carry one type of battery on set.
Your camera monitor attaches to the mount via a 1/4″-20 screw. There is a rubber pad to protect the bottom of the monitor from being scratched.
Hence, as always you have to choose the camera wisely that you need for your particular application, and given the other features of the Z CAM (multi-cam recording & syncing, wifi, etc…) it may be the perfect choice for you!.
Finally, the Volta Cinema Top Handle has three 1/4″-20 mounting points at the handle’s back. The threading is really thin, and the metal is not thick here. While this is nice to have mounting points to store screws, I wouldn’t mount a camera accessory to it, even if I don’t see it breaking at all.
Also, once the image looks acceptable, you can start seeing that the display doesn’t have a high density of pixel: 441ppi, according to the manufacturer. If you’re pixel peeping, you can see individual pixels on the screen.
Bottom: there is one camera control mini-USB port, a 5-pin motor camera control port that doubles up as a DC 7-24V power output port, one 1/4-20” mounting point with locating pins, and a USB Type-A port to update the firmware of the LH5P, load your LUTs, or power it.
The monitor comes with a wipe cloth and a USB disk. More accessories are available to purchase separately, including a safety box, an anti-fall rubber protection bracket, a sunshade, and a handy pan/tilt arm to mount it on top of your camera.
On most on-camera monitors (the ones that are not OLED), if you crank up the brightness to its maximum setting, the display tends to lift the image’s black parts. In short, blacks are not black anymore, but more on the grey side, and the picture becomes a little washed out.
And the Z CAM E2 did not disappoint – see the video on top. The camera has a very organic, detailed image with fantastic, out of the box colors. Grading the Z-LOG2 profile using the LUT’s supplied by Z CAM on their homepage was a joy and is as easy as it can get.
Plus it offers Canon’s excellent Dual-pixel AF system. You can take a look at our 1DX Mark III review to know more about it. This set also includes the Canon 24-70mm f/2.8L II EF-Mount lens and Sandisk 512GB 1700MB/s CFexpress card.
I got away with around 3 hours of battery life at the maximum backlight setting. To me, this is a decent battery life for an on-camera monitor powered by a small battery. However, if you do the maths, a big Sony NP-F970 battery could theoretically run the PT5 for more than 12 hours!.
Also, dynamic range is limited to 10 stops and hindered furthermore by the fact, that the noise floor is cut off – hence, you cannot dig into the shadows to get that organic, flatter look – shadows are simply black with no information.
There are two little charging indicators on top of the Volta36 battery charger that goes from red (charging) to green (charged).
I am left a bit puzzled about possible use cases for this cam – by its very name it implies the use as a cinema camera which I definitely cannot recommend because of the mentioned extreme rolling shutter and the limited dynamic range.
I received the Volta Cinema Top Handle in two boxes. In the first one, there was the handle, a NATO rail with two 1/4″-20 screws, and some extra connection pins in case the handle break. There were two batteries with one charger in the second box. Also, they included optional accessories: a dummy D-Tap to LP-E6 battery cable and the monitor mount.
In 4k DCI mode (4096 x 2160) the crop factor of the Z CAM is about 1.9, using the speed booster gives a crop of 1.35 approximately.
In short, at least on paper, it seems like the LH5H comes with all the tools you need to correctly judge the exposure of your image and frame your shots correctly.
The PortKeys P6 is a lightweight – 0.28lbs/130grams – entry-level monitor for filmmakers looking for a compact on-camera display. The P6 features an 8bit 5.5″ 1080P display with a 500nit brightness and 1000:1 contrast ratio. This monitor is much more affordable than their PortKeys BM5 that is a workhorse entirely made of aluminum – the P6 is made out of ABS plastic.
The Portkeys PT5 has a glossy and quite reflective screen, so the included sun hood is a must if you plan on shooting outside (more on that later.).
The EVF is built with all aluminum construction and the OEYE-3G EVF weighs in at a very manageable 400 grams. Three custom user buttons are available and you can mount the EVF using the ARRI Rosette or two provided 1/4″ holes. There is also a headphone port on the back for monitoring audio.
The screen itself is a WLED panel, which is a marketing term to say LED panel, so blacks should be nowhere near an OLED panel.
The PortKeys BM5 is daylight-viewable with a maximum brightness of 2000nit – the newest BM5 II monitor is 2200nit – and it is entirely made out of aluminum for a total weight of 350 grams.
Disclaimer: As usual, let me first say that I am not representing Volta Cinema in any way. Like with all our unbiased CineD reviews, Volta Cinema, or any other brand, did not pay me to write this article. However, the company sent me the product to review for free. This review is my unbiased opinion, as Volta Cinema did not modify, influence, or gave input about the article before its publication.
Have you worked with the Z CAM E2? What are your experiences with this camera? Please share your thoughts in the comments below.
First and foremost the Z CAM facebook group is worth mentioning, the spirit of conversation is very good and people from Z CAM as well as visitors are helpful, including the CEO Kinson Loo who answers questions very often himself.
You can activate numerous monitoring tools at the same time to help you. I’m not sure if i’s a bug or something regular, but you can “only” activate two scopes at the same time between Luma Histogram, Luma Waveform, and RGB Waveform. You can’t start all three at the same time. However, you can activate two scopes and peaking/guides/grids at the same for example. All in all, monitoring tools are fine.
PortKeys is also teasing a new version of the LEYE with SDI and HDMI input ports: the LEYE SDI. This version should also have a built-in Canon LP-E6 battery plate.
If you have a lot of spare time, you can watch the six hours (!) long RED Komodo Owners Q&A Discussion video which was live-streamed over at Scott Balkum’s Youtube channel. Apart from Scott, there was also Phil Holland, Tim Daust, Curtis Boggs, and Phillip Grossman present at the video. Even Jarred Land, president of RED Digital Cinema, joined in for a while and shared some background information regarding Komodo.
The OEYE-3G is targeted at professional users, while the PortKeys LEYE fills a big hole in the market for enthusiastic/filmmakers that don’t use an external viewfinder on a daily basis and are looking for an EVF that doesn’t break the bank.
The display has a resolution 1920 x 1080 resolution, with a maximum brightness of 500 nits. It is also a touchscreen display to navigate inside the menu. However, this brightness will fall slightly short in bright daylight shooting conditions, so I would not call it a daylight viewable monitor.
The Z CAM E2 M4 is a new addition to the Z CAM line. It is basically the original Z CAM E2 without some functions in a new body and with a lower price tag. For more information about this interesting modular Micro Four Thirds camera, make sure to check my article from its launch. Besides the camera body, this bundle further includes the PortKeys BM5 MKII Monitor (which can control the camera) and Hawk-Woods DV-F990 Battery.
You’ll find six pages at the top of the UI: monitoring tools, image setting, LUT, display tools, audio, markers, and settings.
The dividers feature Manfrotto’s M-GUARD technology to protect your equipment. M-GUARD dividers are made of high-density EVA foam and are “50% slimmer with 50% greater shock absorption” compared to previous Manfrotto dividers.
offered an exclusive limited-time discount when purchasing via Amazon and using an exclusive Y2DWYGBM promotional code. This review is my unbiased opinion as VideoGear did not modify, influence, or give input about the article before its publication.
The features a 5″ LCD display with a FullHD 1080p / 1920 x 1080 resolution. The display is a touchscreen that you can turn on and off via a long press on the power button.
More then two years after its initial announcement, Panasonic GH5 still remains among the most popular Micro four thirds cameras for filmmakers. Its current price makes it even more affordable. Additionaly, B&H offers it with free memory card, spare battery, and camera bag.
Another great addition is on the backside of the monitor. In fact, the new design includes a plate on the back of the screen to comfortably host a wireless video transmission system.
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