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If you're the director on a feature film, your job is to make sure that every shot is as perfect as possible. That means getting up close with a viewfinder (or monitor) and double-checking focus, brightness, and more for every shot. The best monitors for pulling focus are compact tools that allow directors to check their shots from a distance so they can make sure everything looks good before moving on to the next scene. If you're interested in buying one of these monitors or just learning more about them, read on!
To get a director’s view of what the camera is seeing, most cinematographers use an EVF. The best EVFs can be quite expensive, but there are some affordable options that still give you a good picture. The SmallHD 502 Bright DP7 Director's Viewfinder ($999) is small enough to carry around with you and light enough to forget it's in your bag until you need it. It features an OLED display with 100% coverage, so nothing gets left out of frame or missed during critical shots.
Atomos Shinobi SDI 5" 1920x1080 On-Camera Monitor ($599) has been used by many filmmakers over the years, including Christopher Nolan and Zack Snyder among others. It allows you to monitor your footage directly from your camera or from other sources such as HDMI devices like cameras and recorders via SDI cables, which makes it perfect for monitoring while on set while being tethered directly into whatever device they're using as well as having access to all their color correction tools right on one screen without needing additional equipment such as monitors or external displays which could become cumbersome after awhile depending on how long location shoots last sometimes lasting hours upon hours without breaks so anything that helps make life easier makes sense when working under these conditions!
Blackmagic Design Video Assist 3G-SDI ($1,299) offers powerful features such as waveform monitoring (a key feature), focus assist modes including peaking mode (again another key feature), false color mode (which helps determine any exposure issues), vectorscope/ Parade scopes (also important when working correctly exposing footage), RGB parade scopes (for checking exposure levels across red/ green/ blue channels)."
For pulling focus, you need a bright, high resolution and color accurate display. The SmallHD 502 Bright DP7 has all three of those things. It's an OLED monitor with 10-bit color support that comes in at 7 inches diagonally.
The DP7 has an extremely high resolution of 2560 x 1080 pixels with a contrast ratio of 1000:1 and a brightness rating of 1000 nits (cd/m2). That means it's very bright for what you'd expect from a small monitor like this one.
You can use the DP7 to check focus, exposure and framing during the shoot itself as well as making sure everything is in place before rolling camera. This will save time so you don't have to spend any more precious minutes reviewing footage once you've wrapped up shooting for the day or evening!
The screen on this monitor is OLED and has a resolution of 1920x1080, which is the standard for video Camera Monitor. The 7.7” diagonal makes it an ideal size for pulling focus and the brightness of 1000 nits makes it easy to see in bright daylight.
There are multiple color modes that you can choose from depending on what you need at any given time—the built-in DCI-P3 mode is perfect for when you’re using cameras with Log gamma curves because it matches the color gamut they use. You can also choose Rec709/sRGB if you want to see colors accurately or BT2020 (which isn’t supported by most cameras) if you need more contrast between blacks and whites than Rec709 provides.
The monitor also has 4x digital zoom so that you can get closer to your subject before focusing becomes difficult; 4x magnification allows even further magnification at 2x; focus peaking highlights which parts of your image are in focus; 2x focus assist gives blurry edges around sharp ones so that they stand out; there are two USB ports on either side as well as one HDMI port
The Atomos Shinobi SDI 5" 1920x1080 External Camera Screen is a great option for a monitor for pulling focus. It has a 1920x1080 resolution and a 5" screen. It also has 3G-SDI input and output, which allows you to feed in video signals from a variety of sources like cameras or other devices. The touch screen allows for simple menu navigation so you don't have to mess with buttons or knobs when adjusting the settings on this monitor before shooting your footage.
You can't go wrong with the Blackmagic Design Video Assist 3G-SDI. It's one of the best in its class and has all the features you need to pull focus professionally. This monitor has 1920x1080 resolution, so you'll be able to see every detail on your footage. It has an OLED display, so it's bright and easy to see even in sunlight—and it doesn't drain battery power like LCD screens do!
This monitor comes with HDMI output so you can plug it into your camera or laptop and get right back to work after shooting. If you want a bigger image, there is also SDI input so that you can connect another video source (like another camera) directly into this monitor if necessary.
Pulling focus is a way to control the focus of your lens. You can do this with a monitor or viewfinder, or by looking at your director's viewfinder (the one on top of the camera). There are many different monitors available, including super-expensive monitors that are only used by professionals.
You should also consider buying an EVF (electronic viewfinder) if you don't already have one. An EVF saves you from having to look from one screen to another when shooting. It also lets you see what's in front of the lens while shooting—which means no more running into things!
There are many options to choose from when it comes to choosing a monitor that can help you with pulling focus, but it all comes down to what works best for you and your films. We hope this article has given you some insight into the various types of monitors so that you can make an informed decision when purchasing one!
