Edit: just after completing this review, Z CAM introduced a new firmware update (V 0.88) featuring ZRAW (internal RAW capture, partial debayer, supports up to 4096×2160@30fps initially). We might take a closer look at this ZRAW firmware in the near future.
Indeed, the Flexloader L comes with a built-in TSA lock that allows you to securely close your bag when you’re commuting, for example.
Also, there is a 7/24V power input port on the left side of the monitor that you can use to power the Black Mini externally.
One of the things I love the most about my PortKeys BM5 is its build quality. The aluminum alloy makes the monitor sturdy and reliable. Moreover, it is packed with professional features that come at an astonishing, affordable price.
This does not allow an analysis via our standard IMATEST routines – because no RMS noise values can be calculated for the lower stops. Therefore we only have the waveform plot of the Xyla 21 stepchart as a reference. From the waveform, about 10 stops of dynamic range can be identified.
Who is this monitor for? I think it can be a fantastic addition to your kit if you don’t need a daylight-viewable monitor nor the built quality of a product you can rent. For owner-operators that are shooting inside most of the time, or people that are making live streams, you can’t go wrong with the Portkeys PT5.
On the left side, the P6 features two HDMI ports (input/output) that accept 4K signals. Also, in the middle of the HDMI ports, there is a 3.5mm headphone jack output. At the bottom of the monitor, there is a DC 7.4-24V barrel input/output port that you can use to power the monitor or power your camera. Finally, there is a USB-A port for future firmware upgrade, loading your own LUTs, or charge your smartphone (5V output).
The user interface of the PortKeys LH5P is not its most significant strength, to say the least. When I purchase or review a product, I never read instructions (like most filmmakers, I am assuming), which means a product must be intuitive. I think you should be able to give a monitor to any camera assistant and everybody must be able to make it work without reading a book. That is not the case with the LH5P.
When you power on the monitor, it’ll display your image, but nothing else. If you swipe up/down on the left side of the screen, you can quickly adjust your brightness setting. On the other hand, if you swipe up/down on the right side of the display, it’ll change your audio output level. Now, if you swipe up in the middle of the screen, it’ll show you the menu. Also, you can access the menu by simply pressing the menu button.
One handy optional accessory and nearly a must-have with the Volta Cinema Top Handle is the monitor mount. This piece, like the rest of the top handle, is made out of metal.
The PortKeys LH5P does have a built-in fan. In the menu, you can set it to low, medium, or high. I left the fan at a “low” setting during all my testing, and the monitor did not get super hot.
I tried the top handle with a PortKeys BM5 monitor and a SWIT CM-S75F; both are not on the compatibility list but worked just fine. Also, I tried it with my Canon EOS R and did not have any issues.
So when the new Z Cam E2C arrived I was curious to see if some of the strengths have trickled down to this very affordable model – the Z Cam E2C is currently listed at just 799 USD.
Finally, the Volta Cinema Top Handle has three 1/4″-20 mounting points at the handle’s back. The threading is really thin, and the metal is not thick here. While this is nice to have mounting points to store screws, I wouldn’t mount a camera accessory to it, even if I don’t see it breaking at all.
While the BM5 features every tool you need nowadays, this is not what caught my attention. What’s impressive is the “camera remote” port and the remote camera functionalities.
The buttons on top of the monitor are a bit rigid and clicky too. The battery fit at the back of the monitor is smooth, tolerances are good, and both Sony/Canon batteries go in and out smoothly; no issues here.
In the photo above, you can see that the PT5’s case is bigger than the one included with the Portkeys BM5 III WR (pictured) or the LH5P. That was one of the main complaints I had with these previous small cases. Indeed, you could only store the monitor inside, which is a bummer, as you’ll always want to carry at least video cables or some accessories along with your monitor.
In theory, this combo should work very well. The Portkeys BM5 monitor (for detailed specs see our article here) is a 5” FHD monitor which allows via a separate cable to display and change settings in the camera’s menu on the touchscreen – on our early prototype this didn’t work though and a newer firmware wasn’t yet available.
The PortKeys Universal Handle is made out of milled aluminum frame wrapped with red oak around the handle. The design looks ergonomic and comfortable, and I love the sleek design and look of it. Also, it comes with a faux-leather strap for a better grip.
I don’t remember any third-party field monitor – other than any OEM screen that usually ships with your camera – that can control a camera. By connecting the supplied cable from the monitor to your camera, the BM5 can control some of the camera functions.
Also, it is a WLED display, and the panel itself is 10-bit (8+2 FRC), so not “true” 10-bit, even if very few monitors are real 10-bit.
Once you fully open the two main zippers, you access the 26.5L interior to store your camera equipment. The first thing you’ll notice is that the bag flap opens entirely. Some like it, while others prefer latches to prevent the flap from touching the ground; it’s a matter of taste.
It means that you’ll have a hard time trying to calibrate it correctly by hand with only a few built-in picture adjustment tools at your disposal in the menu system. In short, on-camera monitors must be as good as possible out of the box with minimal color adjustments needed by the end-user.
The Volta Cinema Top Handle is the company’s first product, designed with a simple goal in mind: create a top handle that can power camera accessories or even your camera via a D-Tap port. I had the chance to play with it for one month, and here are my findings.
Some companies try to enter the EVF market with a monitor and a loupe attachment. It’s the case with products from SmallHD, with their SmallHD 502 + viewfinder attachment, and F&V with the SpectraHD 4 EVF. While these two solutions can be helpful, they are also quite bulky.
Also, if you use a 5-pin XS16 to dummy battery cable, you can power your camera/follow focus motor directly from the LH5H dedicated output port, which is smart. This port is compatible with Tilta Nucleus-M and Nucleus-Nano follow focus motors.
Fig. 2:IMATEST calculates 10.8 stops of dynamic range for the Z CAM E2 cinema camera at a signal to noise ratio of 2 for 4k DCI ISO500 ProRes recording using Z-LOG2 (1/SNR = 0.5, medium value in the upper right hand table).
In essence, you could use your smartphone instead of a monitor if you accept some lag between the recorded and image view.
More then two years after its initial announcement, Panasonic GH5 still remains among the most popular Micro four thirds cameras for filmmakers. Its current price makes it even more affordable. Additionaly, B&H offers it with free memory card, spare battery, and camera bag.
The monitor doesn’t have a built-in battery plate like the Zacuto Gratical HD. You can switch it on using an external battery through the 7-24V Lemo port. The OEYE-3G only draws around 7W.
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The LH5P is powered via a Sony NP-F battery, but you can use the USB port to feed the monitor from a V-Mount/AB external battery as well as a battery bank.
We first reported about their Portkeys BM5 monitor in 2019, a 5-inch field monitor with SDI/HDMI input and output ports capable of controlling your camera. The company released an upgraded version, the PortKeys BM5 III WR, that boasts a bigger screen and a couple of new features.
In short, blacks are not black anymore, but more on the grey side, and the picture starts to be a little washed out. On the , even if it has a “low” maximum brightness of only 400nit, you can see that the image shifts quite a lot when the backlight is at 100%.
One of the only things that could be improved on the BM5 II that I have is the overall UI, which feels a bit outdated. The new PortKeys LH5H features a new UI that looks much better and more intuitive. On the left and right sides of the monitor, you’ll find various customizable shortcuts to your favorite monitoring tools. The display itself is tactile, so you can activate/disable functions quickly without having to go inside the menu.
Just like the original F7, the PRO version is packed with the most common monitoring tools to precisely control your image. These tools can be displayed independently or in an all-scopes mode.
As you can tell, there are a million ways to position the dividers and reconfigure the Flexloader L to fit your gear and needs. It’s a very versatile bag that can carry a lot of gear while still being carry-on sized so you can bring it with you on a plane.
Finally, on some pages, like the Settings page, you have various settings you can adjust at the bottom of the screen/menu. But, for some settings, there are two subpages. One weird thing is that you have to use the physical buttons to access the second subpage, which doesn’t make sense to me.
The features a 5″ LCD display with a FullHD 1080p / 1920 x 1080 resolution. The display is a touchscreen that you can turn on and off via a long press on the power button.
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The display has a resolution of 1920 x 1080. It is a touchscreen with a maximum brightness of 2200nits and a contrast ratio of 1000:1.
In total, you can put up to twelve monitoring tools on the sidebars. Then, when you’re set, all you have to do is press an icon to enable/disable this tool. In addition, you can long-press on a shortcut to change it or remove it from the side.
The Portkeys PT5 is a 5″ monitor with one HDMI input and one HDMI output port. Having HDMI loop-through is pretty impressive on a monitor at that price level. Both in and out ports support resolutions up to 4K DCI at 24p, 4K UHD at up to 30p, FullHD at up to 60p.
The screen itself is very bright (2000 NITS), even in direct sunlight I had no issues seeing the image. Unfortunately, the surface of the screen is very reflective which can hamper the viewing experience, see figure 3 below.
The FX9 is Sony’s new full-frame cinema camera. Announced in September 2019, it offers solid 10-bit internal recording modes, very good autofocus, audio, internal eND, and more.
According to the company, they had to use “an off the shelf 0.8A x1 or 0.6A x 2 PCB for the charger to sit within the Micro USB specification (2.1A x 5V = ~10W total, minus the loss in efficiency).” This results in long charging times. To fully charge two batteries, it took me close to eight hours.
Monitor manufacturer FEELWORLD has just released a new affordable 7-inch monitor, featuring a Sony NP-F style battery plate on the back to host and power a wireless video transmission system. Built on the legacy of the original F7 monitor, the FEELWORLD F7 PRO is now available for $239.
The battery is held at the back of the handle by a screw. As you can see, one end of the Volta Cinema Top Handle is fully open. According to the company:.
So is the Manfrotto PRO Light Flexloader L the perfect bag? There are only very few minor things that, to me, could be improved:.
And this is the feeling you get, colors are not off, but you can make them better by adjusting the contrast a bit and the chroma/tint settings by plus or minus two/three. If you have an i1 Display Pro prob, you can even re-calibrate your LH5P yourself later down the road if needed.
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