The is a 5″ on-camera monitor / live streaming device with decent features: a 400nits touchscreen display with a 1920 x 1080 resolution, one 4K HDMI 2.0 input port, and plenty of monitoring tools all in a very compact package. When I heard about its super low price at $89 (a special CineD price), I had to give it a try to see how it performs. Here are my findings of the most affordable monitor we ever reviewed on CineD!.
Future firmware updates should increase the handle’s capabilities. I like the versatility of such products.
Pretty much every tool you need is here to judge your image, except Zebras and a Vectorscope, but that’s already decent for an entry-level on-camera monitor.
To make things even more secure, there is even a side of the battery with a cut-out. I have no worries about inserting the batteries inside the handle or the battery charger.
the small front pocket could feature the same metal zippers pull straps as the main compartments ones, so you can close it with the TSA lock.
The answer is yes. I had no issues at all – the build quality of both monitor and camera is top notch, and there was no overheating of both devices. The monitor has a fan which I turned down to the lowest setting to avoid picking up the sound, so it got very very hot. It still worked reliably.
PortKeys listened, and a new generation is now available with a power switch. If you have the previous version, you can contact PortKeys directly and they will provide you (for free) with everything you need to update your handle. If you want to learn more about the PortKeys KeyGrip, you can read our in-depth article here.
The screen itself is very bright (2000 NITS), even in direct sunlight I had no issues seeing the image. Unfortunately, the surface of the screen is very reflective which can hamper the viewing experience, see figure 3 below.
When the Black Mini is up and running, you can adjust various display settings inside the menu, including:.
I loved how lightweight the PT5 is; it weighs nothing with a Canon LP-E6 at the back, so your camera rig stays easy to operate handheld.
PortKeys has just announced a new 5.5-inch field monitor: the PortKeys P6. This monitor features a 1080P display with a decent 500nit brightness and a 4K HDMI input plus a 4K HDMI output. Let’s take a closer look at it!.
One full-size HDMI input on the right side that can take signals up to 4K30p.
The PortKeys Universal Handle is in a pre-order stage at the moment for $299.00 until February 22. After that period, the price will be $399.00, and orders will begin to ship in March 2020. You can pre-order it on PortKeys’ website.
Once in place, it works nicely, but I had issues getting it in. Indeed, it came in two pieces in the box: the round part that slides in the handle and the piece that attaches to your monitor. I had to unscrew the two screws on the round piece to assemble the monitor as one piece like it should be.
SDI, HDMI and USB inputs are all available on the OEYE-3G as well as both SDI and HDMI outputs. You can send 4K DCI signals at 24 frames per second through the HDMI or 4K UHD at 24/25/30 fps, but the SDI input port is only able to accept 1080P signals at up to 60 fps. The HDMI and SDI ports allow for cross conversion as well.
The first bundle includes the full-frame mirrorless camera from Panasonic – the LUMIX S1 (our Review, our Lab Test). With its 24.2MP sensor, the camera can record up to 4K 60P cropped or 4K 30P uncropped video. It offers nice ergonomics, good IBIS, and relatively clean images with high ISO. It even became our camera of the year in 2019. The bundle further includes the Sigma MC-21 adapter and Sony 120GB XQD G-Series memory card.
As you can see, the PortKeys LH5P represents a good value for money compared to other monitors in the same price range, but it will be up to you to decide if it ticks all the boxes for your needs.
The great thing about the BM5 and HS7T is that they are equipped with both HDMI and SDI inputs and outputs. 4K video signals up to 30fps and FullHD up to 60fps are supported over the HDMI, while the SDI connections only support 1080p signals up to 60fps.
you have time to write between 2 and 25 articles per month (Lengths can vary.).
Apparently, this design is becoming quite popular. In fact, the new FEELWORLD F7 PRO has a very similar feature, which makes it a good director or 1st AC monitor on a budget. Let’s take a closer look.
Also, another thing that surprised me is that the NATO locking mechanism doesn’t have a spring inside. It means that when you unscrew it, the part that moves doesn’t follow the locking screw, and you might have to move it by hand. This is something minor and not a dealbreaker, but a small improvement that could be made in the next versions.
PortKeys LH5H Released – Affordable 5″ Monitor That Can Control Your Camera.
One HDMI input and one HDMI output port supports resolution up to 4K DCI at 24p, 4K UHD at up to 30p, FullHD at up to 60p.
Once you switch the power button on, the monitor takes around ten seconds until it is operational, which is acceptable.
The HDMI cable is relatively thick, and while I prefer slim cables, VIDEOGEAR at least provides you with a way to connect the monitor to a camera.
At first, I had a weird feeling as in case of assistance or firmware updates, I guess you are left in the dark with no customer service to contact.
I hope that in the next production batches, Volta will solve that with a permanent labeling or engraving technique. We’ll talk about the battery charger’s build quality and monitor mount a bit later in their dedicated sections.
I’m glad to see that Portkeys listened, and you can now store the PT5 with all its accessories inside the case as well – good job!.
I would say that it’s a nice and beautiful product that works as advertised, but there is a lot of room for improvements to make the user experience more “reassuring” and enjoyable.
Right side: an 8V power output port with a barrel connector and a 1/4-20″ mounting point.
This style of cameras usually comes with lots of external ports, and the Z CAM E2 is no different. There is a 10-pin LEMO port for timecode sync, as well as a 2.5mm LANC jack. In terms of audio, there is a 3.5mm mic output plus headphone jack and a 5-pin LEMO port for a dual channel XLR microphone.
Back: a Sony NP-F/Canon LP-E6 battery plate and a battery release button.
The features a 5″ LCD display with a FullHD 1080p / 1920 x 1080 resolution. The display is a touchscreen that you can turn on and off via a long press on the power button.
If you’re new to PortKeys, this company is specialized in affordable HDMI and SDI camera monitoring solutions. Recently, we talked about their LEYE viewfinder, the fully-featured SDI/HDMI BM5 monitor, and the affordable PortKeys P6. The company has just released a new 5.5″ HDMI-only monitor, the PortKeys LH5P. This product name may sound familiar to you, as it is the big brother of the PortKeys LH5H that was released last year.
To know more about the video capabilities of this camera, you can take a look at our Canon EOS R review. If you would like to use the EOS R as a B-camera to the Canon C200, check our article on the topic.
CVP Buy link: Panasonic LUMIX G9 Camera Body Was: €1,100.86 Now: €941.78 (Savings: €159.09, Free accessories, Free 25mm f/1.7 lens, and Free 3-year warranty).
As you can tell, there are a million ways to position the dividers and reconfigure the Flexloader L to fit your gear and needs. It’s a very versatile bag that can carry a lot of gear while still being carry-on sized so you can bring it with you on a plane.
Prices are not outrageous, starting at €15.00 per adapter, so it’s nice to buy these directly from Volta Cinema.
The BM5 III WR is now a little bit bigger than its predecessor, with a 5.5″ display compared to the previous 5.2″ one. Also, the monitor features built-in monitoring tools, including:.
Disclaimer: Let me first say that I am not a Manfrotto Ambassador. Like every other article on CineD, Manfrotto, or any other brand, did not pay me to write this article. However, the company sent me the product to review for free. This review is my unbiased opinion, as Manfrotto did not modify, influence, or give input about the article or video before its publication.
In a nutshell, the top handle can support most DSLR and mirrorless cameras, as well as cinema cameras, including the BMPCC 4K/6K, the RED KOMODO, and up to an ARRI Alexa Mini, which is impressive. Also, it should support most on-camera monitors and camera accessories, as long as they stay within the 7.2V/5A limit.
However, I think that the Portkeys PT5 is more suited if you’re often shooting inside. For example, during corporate/interview shoots inside, it’s an excellent low-cost option that I had a blast using.
Like the PortKeys OEYE-3G, the LEYE doesn’t have a built-in battery. You can power it via the DC 7-24V barrel port or 5V USB Type-A port on the device’s right side. It means that you’ll have to use an external battery to power the EVF, either a V-Lock/Gold-Mount battery or a power bank.
In total, there are four ways to power the Portkeys PT5, which is quite impressive for an entry-level product.
In essence, you could use your smartphone instead of a monitor if you accept some lag between the recorded and image view.
Ideally you come from the filmmaking industry, have a technical mind and are interested in nerding out about new camera gear, fuzzing over things that matter to filmmakers and content creators alike, and have a talent and lust for writing.
Some companies try to enter the EVF market with a monitor and a loupe attachment. It’s the case with products from SmallHD, with their SmallHD 502 + viewfinder attachment, and F&V with the SpectraHD 4 EVF. While these two solutions can be helpful, they are also quite bulky.
Also, and this is not particular to this monitor, but something I still don’t understand, is why manufacturers only put 1/4-20″ mounting points – thankfully with locating pins on the LH5P – at the bottom of their products.
Panasonic S1 is a very capable full-frame mirrorless camera. It can record internally at up to 4K 60fps in 8-bit and output 4:2:2 10-bit signal externally. For more information about the camera please check our Panasonic S1 review and the revisited V-log upgrade review.
Finally, when grading the footage of the Z Cam E2C in DaVinci Resolve using the official Z CAM LUT’s from their webpage (I used the zlog2_LC709A_64_noGain_normal LUT) I noticed very yellowish skin tones – see the image below.
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