As I mentioned, the PRO Light Flexloader L is a hefty bag that measures 36 x 35 x 56cm/14.1 x 13.7 x 22in for an empty weight of 3kg/6.6lbs. As with every camera bag, the internal dimensions are slightly smaller at 26 x 15 x 47cm/10.2 x 5.9 x 18.5in.
PortKeys has just announced a new 5.5-inch field monitor: the PortKeys P6. This monitor features a 1080P display with a decent 500nit brightness and a 4K HDMI input plus a 4K HDMI output. Let’s take a closer look at it!.
According to Portkeys, the PT5 only draws 6W of power. To give you a rough idea, as these results can vary a lot depending on the age/state of your battery pack, I did a quick test with a fresh Canon LP-E6N battery pack (14Wh).
The offers you three 1/4″-20 mounting points at the bottom, top, and right side of the monitor. I think that it is enough for an on-camera monitor, even if, as always, I would have preferred 3/8-16″ mounting points with ARRI locating pins, which are more versatile.
There is a 3.5mm headphone jack if your camera doesn’t have one or if you want to monitor your audio signal directly from the Black Mini. The preamp is a bit noisy, but it works.
Out of the box, the colors and images coming out of the PT5 are extremely good, and I would say close to being 100% color accurate. I only lowered the saturation by 3-4, and that’s it. I was delighted by what I saw, and I would not be that surprised if Portkeys calibrate each monitor out of the factory. The image is crisp and clear, which is impressive for an entry-level product.
Last week, we were the first to report about a new company named PortKeys and their BM5, a field monitor capable of controlling your camera. Ahead of NAB 2019, the company just announced another exciting product, the OEYE-3G EVF. Let’s take a look at this exciting new EVF.
The fan is quiet; you can hear it when you start the monitor because it’ll kick in at maximum fan speed for a second. But, once the monitor is on, you’ll have to put your hear next to the exhaust vent to notice it at low speed, and even an on-camera microphone would have a hard time catching it.
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Panasonic LUMIX G80/G85 Camera with 12-60mm Lens and Accessories Set – $300/€83 Discount Plus Free LUMIX 25mm f/1.7 Lens, Free 3-Year Warranty.
Not all monitors are created equal, and the quality of the display behind them may vary significantly. A great on-camera monitor must be as color accurate as possible and close to “what you see is what you get” as possible. If your monitor colors are incorrect, you won’t see your footage the way it’s supposed to be.
The 1DX Mark III is the newest generation of Canon’s professional DSLR. While aimed at pro photographers in the first place, the camera offers some serious video specs too. It can record 5.5K 60fps 12-bit RAW video internally.
Fig. 2:IMATEST calculates 10.8 stops of dynamic range for the Z CAM E2 cinema camera at a signal to noise ratio of 2 for 4k DCI ISO500 ProRes recording using Z-LOG2 (1/SNR = 0.5, medium value in the upper right hand table).
You probably got it; I’m not a huge fan of the monitor mount, it works ok, but it could be improved to make it perfect.
Ahead of NAB 2019, Chinese company Z CAM has announced three new versions of their Z CAM E2 camera, with S35 and Full Frame 6/8K sensors. Now during the show, we had a chance to talk to Kinson Loo from Z CAM and hear more about what to expect. Let’s take a look at this upgrade!.
In addition, there are multiple exhaust vents all around the monitor, which help with heat dissipation. Talking about heat, I was stunned that the monitor was not warm or hot to the touch even after a couple of hours of being turned on. So that’s a good sign!.
Before we dive deeper, while I like the included hard case that does its job at protecting the monitor, there’s no extra space inside to put a battery – even if you attach a small Sony NP-F battery, the case doesn’t close anymore – or some spare HDMI cables. Even the antennas don’t fit mounted to the monitor inside the box.
This is a design choice, and after using it, I get why they did it that way. I would like to have the option to close it if I’m shooting in tough weather conditions. It would protect the handle and prevent dust/rain from getting in.
However, the batteries and the top handle both have a “V” sticker on them that indicates which direction you’re supposed to put the battery inside the handle. It only took me three shooting days before all of the stickers disappeared. Volta told us:.
On top of the LH5H, you’ll find four customizable function keys, a power switch, and four buttons to access and navigate inside the menu. At the bottom of the monitor, there is one camera control mini-USB port (more on that later) and a 5-pin motor camera control port that doubles up as a DC 7-24V power output port.
Internally, it can record to CFAST 2.0 cards in C4K and 4K UHD at up to 160 fps in H.265. In HD resolution, you can go at up to 240 fps in H.265. In Apple ProRes 4:2:2 10-bit, you can go at up to 60 fps. Finally, in ZRAW (partial-debayer), it supports C4K at up to 30 fps internally.
To use a Canon LP-E6 battery, slide it to the left. To use a Sony NP-F battery, slide it to the right. That’s very smart, and I love it.
However, for the past four years, I finally found some solutions that work for me. I purchased and used Manfrotto rolling bags – including the Pro Roller Bag 70 and Reloader Air-55 Pro – and they’ve been real workhorses. They’ve been a joy to use and what carries all my camera equipment 99% of the time. The Windows vs. macOS debate is as big as the backpack vs. rolling case one, but both solutions have pros and cons.
PortKeys has just announced the launch of a new 5.5″ on-camera monitor: the PortKeys LH5P. This HDMI-only (in/out)monitor is made out of aluminum, it is daylight-viewable with a maximum brightness of 1700 nits, and it can control your Blackmagic Pocket Cinema Camera 4K/6K wirelessly. Let’s take a closer look at it!.
The Z CAM E2 also offers an HDR mode, where it captures a second image with an 8 times higher shutter speed for the highlighted part and merges it into one video frame (to increase the dynamic range by additional 3 stops).
Out of the box, the colors and images coming out of the are totally off. So it’ll take you some time to get something I would call acceptable. Most on-camera monitors are set at 6500°K, but even with multiple tweaks, I had to put the Black Mini to 7500°K and make some brightness/tint adjustments by hand to get in a somewhat accurate ballpark.
And an expandable gimbal pocket that opens in two steps: first, unlock the zippers all around the bag. Then, extend your bag to reveal the full-size gimbal pocket. This pocket is initially designed to fit a Manfrotto gimbal, like their 300XM modular gimbal.
There is not a ton of competition in this price range, and the only product I can think of is the Zacuto ACT EVF Pro that retails for $499 and has far less features.
Most of the time, you can’t use a probe or spectrophotometer to adjust your on-camera monitor. It means that you’ll have a hard time trying to calibrate it correctly by hand with only a few built-in picture adjustment tools at your disposal in the menu system. In short, on-camera monitors must be as good as possible out of the box with minimal color adjustments needed by the end-user.
Z CAM E2 is a very capable small cinema camera with the Micro four thirds camera mount. It can record in ProRes HQ 10-bit or 4K up to 120fps in H.265 internally. Take a look at our Z CAM E2 review. This bundle with the free PortKeys BM5 monitor and control cable (so the camera can be controlled from the monitor) looks really tempting. Additionaly, the CVP price even without discount is better when compared to other european distributors.
B&H offers additional free accessories (SanDisk 32GB Extreme PRO SDHC UHS-I memory card, Corel PaintShop Pro 2020 ultimate license, and Ruggard Journey 24 DSLR shoulder bag).
Nikon Z 6 is the first full-frame mirrorless camera from Nikon – it is the “all-arounder” within the new Z system. It features 24.5MP CMOS sensor and can record UHD 4K video at up to 30fps and full HD at up to 120fps – all in H.264. The camera can also output RAW signal via HDMI, so this could be the perfect camera to use with the Ninja V to capture in ProRes RAW.
Disclaimer: As usual, let me first say that I am not a VideoGear Ambassador. Like every other article on CineD, VideoGear, or any other brand, did not pay us to write this article. However, the company approached and sent us the product to review for free.
This update makes the Z CAM E2/Atomos a very capable lightweight combo capable of shooting 4K60P ProRes RAW for just under $2500.00, which is incredible. (Our friend and colleague Philip Bloom shot a short piece with this new setup. You can view it by clicking here).
So, who is this monitor for? I guess the Black Mini is perfect for YouTubers or content creators who are mostly shooting inside. Also, if you’re doing many live streaming events and need a fast/affordable program monitor, it could get the job done.
The Portkeys BM5 III WR is available now for €517. When you order it, you’ll have to choose the correct control cable for your camera, if you want to control it wired.
In addition to that, we are also looking for a writer who is particularly interested in “smartphone filmmaking” as we are planning to greatly extend our coverage in that area. Both news about new smartphone cameras and apps as well as reviews of these cameras are important for us.
The comes in a compact cardboard box. Nothing exciting so far. Once you open it, everything is neatly packed, with no space wasted. It’s the kind of box that is impossible to re-pack once you’ve opened it and taken the products out. Interestingly enough, the monitor doesn’t come with a case to store it in.
I’m currently finishing our review of the PortKeys LH5H that will be released very soon, so keep an eye on CineD if you want to learn more about these affordable on-camera monitors.
This style of cameras usually comes with lots of external ports, and the Z CAM E2 is no different. There is a 10-pin LEMO port for timecode sync, as well as a 2.5mm LANC jack. In terms of audio, there is a 3.5mm mic output plus headphone jack and a 5-pin LEMO port for a dual channel XLR microphone.
The monitor mount is not the greatest I’ve ever seen, some parts are made of plastic, but it gets the job done as the monitor is pretty lightweight.
The LEYE SDI will retail for $549/€500. It is already listed on our partners’ websites B&H and CVP, so it should be available very soon!.
I found the Volta Top Handle’s build quality itself to be really decent. All the parts are made out of 7075 aluminum, and it feels solid. The Volta Cinema logo is kind of “engraved” on one side.
To make things even more secure, there is even a side of the battery with a cut-out. I have no worries about inserting the batteries inside the handle or the battery charger.
Disclaimer: As usual, let me first say that I am not representing Volta Cinema in any way. Like with all our unbiased CineD reviews, Volta Cinema, or any other brand, did not pay me to write this article. However, the company sent me the product to review for free. This review is my unbiased opinion, as Volta Cinema did not modify, influence, or gave input about the article before its publication.
Is the Volta Cinema Top Handle perfect? Of course not, and like most products, it could be improved. But, I have mixed feelings about it. While the product feels incredible when you use it, many small details (the stickers, battery charger, monitor mount, etc..) make me a bit worried about its longevity.
In terms of input/output, you’ll find an HDMI input and HDMI output ports on the left side of the LH5H, as well as a 3.5mm jack output, but no SDI ports. The LH5H is an “entry-level” monitor, perfect for DSLR/Mirrorless camera users. If you need both HDMI and SDI ports, the BM5 II is more suited for you. Also, the PortKeys LH5H is made of plastic, not metal, with a weight of just 170g/0.37lbs.
Material Possession ltd, the company behind Volta Cinema, is a relatively new film industry player. The British company is run by Tudor Chirila, which first launched a non-successful crowdfunding campaign for the version of its Top Handle back in November 2019.
FilmConvert’s film emulation plugins for all editing platforms are on sale for the lowest price this year. There is up to 60% off on all FilmConvert plugins, including new FilmConvert Nitrate for Adobe Premiere Pro, After Effects and DaVinci Resolve.
Some companies try to enter the EVF market with a monitor and a loupe attachment. It’s the case with products from SmallHD, with their SmallHD 502 + viewfinder attachment, and F&V with the SpectraHD 4 EVF. While these two solutions can be helpful, they are also quite bulky.
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