Attaching an external monitor gives a closer approximation of how each shot will translate to the big screen, and as an added bonus, other people on set can watch the footage take shape.
However, according to Volta Cinema, they “uses the legacy D-tap port which usually has a 14V output but in the case of our top handle, the output is only 7.2V.”.
The LH5P has a claimed maximum brightness of 1700 nit, which is, like any monitor with a brightness over 1500nit, perfectly daylight-viewable. The monitor has a contrast ratio of 1000:1, and the panel itself is 10-bit (8+2 FRC), so not “true” 10-bit.
Judging the brightness, color accuracy, or Delta E of the Portkeys LH5P with a spectrophotometer did not make a lot of sense. Indeed, numbers are just what they are: numbers. I prefer to judge a product by its feeling and the overall perception of an image.
The Z Cam E2C uses an MFT sensor (slightly smaller than the one used in the Z CAM E2) which allows DCI 4K capturing of up to 4K 29.98 fps in combination with the Z-Log2 flat picture profile.
This update makes the Z CAM E2/Atomos a very capable lightweight combo capable of shooting 4K60P ProRes RAW for just under $2500.00, which is incredible. (Our friend and colleague Philip Bloom shot a short piece with this new setup. You can view it by clicking here).
CVP Buy link: Panasonic LUMIX G80 Camera with 12-60mm Lens Was: €609.02 Now: €525.88 (Savings: €83.14, Free 25mm f/1.7 lens, and Free 3-year warranty).
Have you used the new Z Cam E2C cinema camera already? What are your experiences? Let us know in the comments below!.
Most of the navigation inside the UI happens via the touchscreen. But, you can also use the physical Menu and navigation buttons at the top of the monitors. These buttons allow you to navigate inside a page. However, you can’t switch pages from these buttons.
Also, dynamic range is limited to 10 stops and hindered furthermore by the fact, that the noise floor is cut off – hence, you cannot dig into the shadows to get that organic, flatter look – shadows are simply black with no information.
As you can tell, there are many different ways to power it, which is nice. Also, the monitor only draws 6W of power, which means it should have fairly long battery life.
The bundle further includes the Sigma MC-21 adapter for Canon EF lenses and the 5″ monitor/recorder Atomos Ninja V. With the Ninja V, you can take advantage of recording in 12-bit ProRes RAW with this camera. In this price range, it is a very interesting combination.
Disclaimer: As usual, let me first say that I am not a Portkeys Ambassador. Like every other article on CineD, Portkeys, or any other brand, did not pay us to write this article. However, the company sent us the product to review for free. This review is my unbiased opinion as Portkeys did not modify, influence, or give input about the article before its publication.
The PortKeys LEYE features a 2.4″ LCD screen with an effective resolution of 1440 x 900. The display is 8-bit – which is enough for framing your shots -and has a maximum brightness of 300nit with a 1100:1 contrast ratio.
The R5 is the other one of Canon’s two newly introduced mirrorless cameras. With its 45 MP full-frame sensor, it offers 8K30p RAW internal video recording as well as 4K60p in 10-bit – both with no crop and with AF.
I think monitors like the Atomos Shinobi that retails for a $299 price tag ($100 cheaper), or even the AndyCine A6 Plus V2 do make a better comparison starting point. I worked on a table to compare all three models which you can find below.
If that wasn’t enough, it also has recording capability and Bluetooth connectivity. Compatible with virtually every input and setup, it even allows you to control internal features like shutter speed and focus when used with certain camera models.
We are using a new test method based on a high frequency, quartz & microcontroller based strobe light at 300Hz. As the sensor readout happens from the top to the bottom, we are getting a sequence of black and white bars from the strobe.
However, the sun hood blocks the sunlight pretty effectively, there are minor light leaks on the edges, and it’s quick to set up. It’s definitely nice to have it in the package!.
Finally, on some pages, like the Settings page, you have various settings you can adjust at the bottom of the screen/menu. But, for some settings, there are two subpages. One weird thing is that you have to use the physical buttons to access the second subpage, which doesn’t make sense to me.
The features a 5″ LCD display with a FullHD 1080p / 1920 x 1080 resolution. The display is a touchscreen that you can turn on and off via a long press on the power button.
There is not a ton of competition in this price range, and the only product I can think of is the Zacuto ACT EVF Pro that retails for $499 and has far less features.
I loved how lightweight the PT5 is; it weighs nothing with a Canon LP-E6 at the back, so your camera rig stays easy to operate handheld.
Nikon Z 6 is the first full-frame mirrorless camera from Nikon – it is the “all-arounder” within the new Z system. It features 24.5MP CMOS sensor and can record UHD 4K video at up to 30fps and full HD at up to 120fps – all in H.264. The camera can also output RAW signal via HDMI, so this could be the perfect camera to use with the Ninja V to capture in ProRes RAW.
During our cinema5D Virtual Show, we caught up with Dan Chung from Atomos to discuss the upcoming Atomos Ninja V and Z CAM E2 firmware updates that will allow ProRes RAW recording over HDMI. The Atomos Ninja V 5″ HDR monitor-recorder has been very popular for Z CAM E2 users because the camera doesn’t have a proper screen to monitor what you’re shooting.
On the Portkeys PT5, there are one HDMI input port and one HDMI output port. The monitor supports a maximum input resolution of DCI 4K at 24p, 4K UHD at up to 30p, and FullHD at up to 60p. I tested all three with a Canon EOS R and a Canon EOS C70 and did not have any issues, may it be on the input or output side.
Ideally you come from the filmmaking industry, have a technical mind and are interested in nerding out about new camera gear, fuzzing over things that matter to filmmakers and content creators alike, and have a talent and lust for writing.
Last but not least, there is one user-assignable Function button to turn On/Off your favorite tool quickly; that’s great. But, to activate/deactivate all the other non-assigned built-in tools, you always have to go inside the menu, do your thing, let the menu disappear, and so on. It is a bit of a letdown if you’re often switching between different tools, which is a bit of a disappointment and can slow you down.
These are very good results for a micro four thirds sensor, almost exactly the same as for the Panasonic GH5s (10.7 stops) and coming in second behind the other four thirds cinema camera rival, the Blackmagic Pocket Cinema Camera 4K, BMPCC4k, which has 11.6 stops of dynamic range in ProRes HQ.
The Manfrotto PRO Light Flexloader L’s design is sober; it’s light black with a couple of “Manfrotto signature red” touches here and there.
These tools are pretty standard nowadays on on-camera monitors, but nothing is missing on the LH5P. Also, you can adjust the position and scale of each tool via the touchscreen, but more on that in a second.
The Volta Cinema Top Handle immediately caught my attention when I first saw it. From what I saw, I found this product brilliant, with a simple design and a clear mission: power your camera or accessories via the handle. Other companies have tried this, albeit arguably not as elegantly.
The fan is quiet; you can hear it when you start the monitor because it’ll kick in at maximum fan speed for a second. But, once the monitor is on, you’ll have to put your hear next to the exhaust vent to notice it at low speed, and even an on-camera microphone would have a hard time catching it.
However, I found that the Flexloader L quickly caught dust and marks during my tests. I’ve not been very kind with it and shot in some industrial factories that are not the cleanest environments out here. Back at the office, a quick wipe with a wet sponge and the backpack looked brand new again – as it cleans easily – but it’s something to notice.
Plus it offers Canon’s excellent Dual-pixel AF system. You can take a look at our 1DX Mark III review to know more about it. This set also includes the Canon 24-70mm f/2.8L II EF-Mount lens and Sandisk 512GB 1700MB/s CFexpress card.
Future firmware updates should increase the handle’s capabilities. I like the versatility of such products.
First and foremost the Z CAM facebook group is worth mentioning, the spirit of conversation is very good and people from Z CAM as well as visitors are helpful, including the CEO Kinson Loo who answers questions very often himself.
Most of the time, you can’t use a probe or spectrophotometer to adjust your on-camera monitor. It means that you’ll have a hard time trying to calibrate it correctly by hand with only a few built-in picture adjustment tools at your disposal in the menu system. In short, on-camera monitors must be as good as possible out of the box with minimal color adjustments needed by the end-user.
You’ll find six pages at the top of the UI: monitoring tools, image setting, LUT, display tools, audio, markers, and settings.
But best of all, if you get a pair the Teradek 4K Monitor Modules (one TX and at least one RX) and an ARRI camera (available now) or a RED camera (software update coming soon), you will be able to fully control the camera from your wireless monitor. This is a huge win for high-end drone pilots, shooters in remote locations, or DPs who just wants to drop their ISO or change ND from video village.
In late March we first announced that PortKeys, based in China, was taking the leap into the EVF world with their new OEYE-3G. cinema5D caught up with PortKeys team at NAB 2019 for an inside look into the new 0.7″ 1080P OLED display Electronic Viewfinder. All the details are below including pricing and availability.
As you can see, the PortKeys LH5P represents a good value for money compared to other monitors in the same price range, but it will be up to you to decide if it ticks all the boxes for your needs.
So when the new Z Cam E2C arrived I was curious to see if some of the strengths have trickled down to this very affordable model – the Z Cam E2C is currently listed at just 799 USD.
This PortKeys BM5WR professional-grade monitor is the gold standard for outdoor shoots, with an insanely bright 2200-nit screen and a 1000:1 contrast rating. Those specs ensure flawless colors, and it comes equipped with a multitude of monitoring tools used for setting exposure.
Built-in monitoring tools include: 3D LUT monitoring, Waveform, Luma, Histogram, false color, Zebra, Peaking, Zooming, Audio Meters and so on.
Also, there is a USB Type-A port on the right side of the monitor that you can use to power the PT5 via a power bank (5V/2A). If you power your monitor with a Sony NP-F or Canon LP-E6 battery, this USB port doubles as a 5V/1A power output that could easily charge your smartphone at the same time.
Pricing and Availability: The price for the OEYE-3G EVF is $1,199.00 and the device is expected to ship in early May.
Using a stabilized lens is a must – as I did for the sample footage (the Olympus 12-100 F4 IS Pro lens).
The fact that the Black Mini is a lightweight on-camera monitor makes it a lovely experience if you’re operating handheld or on a tripod/gimbal. It doesn’t add too much weight nor bulk to your setup, which is nice.
As Jarred said, RED shipped the first batch of pre-stormtrooper Komodos in custom colors to few lucky customers. The first color seems orange to me, but RED calls it “Grossman Gold”. Every batch of these pre-release cameras that get shipped out will have a different color. It seems like the next one will be yellow.
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