Atomos has just announced that the Atomos Ninja V 5″ HDR monitor-recorder will support ProRes RAW recording from the Z CAM E2. The Ninja V will be able to record 12-bit Apple ProRes RAW at up to 4K60p. We caught up with Dan Chung from Atomos to learn more about it.
To use a Sony NP-F battery, slide it to the right. I already said it for Portkey’s monitor, but I love that battery powering option.
One feature that sets the PortKeys LH5P apart from many of its competitors is that it can control your camera. To make it work, you have to connect an optional cable from the monitor’s dedicated mini-USB port and connect it to your camera.
Then, this battery compartment is held in place by the round piece with the D-Tap port and NATO rail attachment. If you loosen the two “cinema-standard” screws – it’s important for the rest of this article – on the side, you have a bit of adjustment to slide the battery part back and forth inside the mount. This is nice to position the handle where it works best for you.
Another piece of accessory is the GDU Side Mounting Bracket for Komodo priced at $39. The bracket is reversible and it can mount on either side of the camera for mounting handles and other accessories. It includes multiple 1/4″-20 threads as well as three 3/8″-16 anti-twist threads. Every bracket includes two M4 screws to mount to the camera’s body.
Another great addition is on the backside of the monitor. In fact, the new design includes a plate on the back of the screen to comfortably host a wireless video transmission system.
As you can tell, there are many different ways to power it, which is nice. Also, the monitor only draws 6W of power, which means it should have fairly long battery life.
A good monitor is nothing without great monitoring tools. These tools allow you to judge your exposure, focus, white balance, and so on. This is useful so you can make creative decisions and adjust your camera settings.
The PortKeys LH5H is in-factory calibrated using an X-Rite i1 Display Pro colorimeter. The display should look as good as it can be right out of the box without further adjustments. If you have an i1 Display Pro prob, you can re-calibrate your LH5H yourself later down the road if needed.
However, even if I found the UI easy to understand, there are some things I did not like. First, when you open the menu, it’ll stay open for a certain amount of time that you can adjust between 10 and 30 seconds. But when you’re done, you can’t exit the menu and hide it. Instead, you’ll have to let it disappear on its own without touching anything for 10/30sec.
Among the people who got the first Komodo was Phil Holland and Philip Grossman. They both started posting first thoughts and answering questions about Komodo quite quickly. Phil Holland made a special thread on REDuser where he shares his findings on Komodo. Philip Grossman posted already several sample clips and comparisons with his RED Helium 8K on his Youtube channel.
To give you an idea, one of my Manfrotto Reloader Air-55 Pro zippers died two years ago. I sent it back, and they quickly sent me a brand new roller bag free of charge to replace it. That kind of service what professionals are looking for.
However, I think that the Portkeys PT5 is more suited if you’re often shooting inside. For example, during corporate/interview shoots inside, it’s an excellent low-cost option that I had a blast using.
The new 4K Monitor Module 750 TX, like its RX (receiver) brother, bolts cleanly onto the back of any SmallHD Smart 7 monitor. That means the whole unit then only requires one power source, one input, one mounting point. It functions much more like an extension of the monitor than a secondary unit. If you already favor SmallHD monitors this is great news, but unfortunately it boxes out other manufacturers.
To mount the BM5 to your camera or rig, the monitor features a 1/4″ hole at the bottom and one at the top. Also, an “L bracket” – like the SmallHD Focus – to mount the monitor more easily to your camera is available as an accessory.
Chinese manufacturer PortKeys has just introduced a new version of its famous HDMI-only compact electronic viewfinder: the PortKeys LEYE II. The LEYE II now features a built-in battery plate. Also, PortKeys has been teasing an SDI version of its viewfinder for quite some time now, which should be released soon. So let’s take a closer look at these!.
DJI Osmo Pocket is the smallest Osmo yet. It combines camera with a 3-axis gimbal and fits literally in the palm. The camera still offers up to 4K 60fps video recording. Make sure to watch and read our DJI Osmo Pocket review for more information.
Disclaimer: As usual, let me first say that I am not a Portkeys Ambassador. Like every other article on CineD, Portkeys, or any other brand, did not pay us to write this article. However, the company sent us the product to review for free. This review is my unbiased opinion as Portkeys did not modify, influence, or give input about the article before its publication.
At NAB 2018, we already had a chance to take a look at the original Z CAM E2. In case you are not familiar with this compact camera, it is built around a Micro Four Thirds mount and sensor with 10-bit color support, 13 stops of Dynamic Range (16 stops when set to WDR) and can shoot in 4K DCI at up to 120 frames per second.
PortKeys is mostly known for making affordable products that offer filmmakers an excellent price/features ratio. The PortKeys LH5H came out in July 2020, and its successor, the LH5P, was released in January 2021. This monitor is one of the company’s entry-level products. However, the least we can say is that this HDMI-only monitor is no different from its bigger brother when it comes to features, at an aggressive price-point.
At the rear of the monitor, you will find the battery plate to power the PortKeys P6. The design of the battery plate is similar to the SmallHD 701, and you can use Sony NP-F batteries on the left side, or Canon LP-E6 on the right side. Also, you can power it with an external battery via the DC barrel input port.
Lenswise, I opted for two lenses only: the Olympus 12-100mm f4 for the documentary part (it has great image stabilization), and a Canon EF 100-400mm f4.5 – 5.6 version 1 using a Metabones speed booster for the wildlife part.
You got it; I love when I’m working with and not against an on-camera monitor. A third-party monitor should feel like a natural addition to your rig and not an add-on that you don’t want to bring/mount on your camera.
You got it; both monitors are very similar, so what’s new? One of the biggest caveats of the LH5H is its full-plastic construction. The PortKeys LH5P is built with aluminum alloy, which makes it more resistant to field life. Also, it looks slightly thinner than its predecessor, but the LH5P is heavier at 250g vs. 170g for the LH5H.
The BM5 III WR is now a little bit bigger than its predecessor, with a 5.5″ display compared to the previous 5.2″ one. Also, the monitor features built-in monitoring tools, including:.
Once you short press the power button, the monitor takes around five seconds to boot up until it is operational, which is pleasant.
Our European partner online shop CVP based in the UK decided to celebrate the site relaunch with us and they prepared some great special deals exclusively for our readers. We asked them to include current popular cameras in the bundle so that all the offers are relevant.
A lot has been written about the FUJIFILM X-T3, and a lot of it here, on cinema5D. We’ve reviewed the camera (twice), and crowned it our best mirrorless camera of the year 2018. Currently, there is a nice discount on this camera in both B&H (including free accessories – memory card and bag) and CVP.
It is powered via a single Sony NP-F style battery, and you can use the power output of the BM5 to feed your camera via a dummy battery. Also, you can power it with an external battery by using the Lemo port on the monitor.
However, comparing the E2 to other cinema cameras in this sensor class the competitor BMPCC4k cannot be neglected. The BMPCC4k is significantly less expensive, has a large build in screen (5”) and allows internal ProRes as well as 12bit RAW recording (Blackmagic raw). Also, Blackmagic managed to squeeze out 0.8 stops more dynamic range.
For BMPCC 4K/6K users, you can even control your camera wirelessly. You don’t need the additional BT1 Bluetooth module with the LH5H, as it is built-in inside the monitor. It means that you can control your BMPCC 4K/6K wirelessly out of the box!.
The LEYE SDI will retail for $549/€500. It is already listed on our partners’ websites B&H and CVP, so it should be available very soon!.
If you click on each tool in the menu, you can turn it on/off and adjust its settings. For each tool, you have various settings, including color, strength, magnification ratio, and so on.
In addition to that, we are also looking for a writer who is particularly interested in “smartphone filmmaking” as we are planning to greatly extend our coverage in that area. Both news about new smartphone cameras and apps as well as reviews of these cameras are important for us.
The LH5P is powered via a Sony NP-F battery, but you can use the USB port to feed the monitor from a V-Mount/AB external battery as well as a battery bank.
The LH5P display is color calibrated by Portkeys out of the factory. The monitor is in-factory calibrated using an X-Rite i1 Display Pro colorimeter. In short, it should be pretty color accurate out of the box.
proficiency in filmmaking – you know your stuff in one or more areas of filmmaking (producing, editing, directing, cinematography, post-production …).
A monitor of this size and weight makes a lot of sense to use with a small and lightweight battery, like a Canon LP-E6 pack, which is around 50 grams. Indeed, for example, a Sony NP-F 970 battery is 350g, which is twice the monitor’s weight; it looks a bit ridiculous. Also, Canon LP-E6 batteries are the same I use to power my Canon EOS R. I only have to use and carry one type of battery on set.
This does not allow an analysis via our standard IMATEST routines – because no RMS noise values can be calculated for the lower stops. Therefore we only have the waveform plot of the Xyla 21 stepchart as a reference. From the waveform, about 10 stops of dynamic range can be identified.
From what I saw, it looks like the system is very responsive and not laggy at all. This is good news for all RED Komodo users, who now have another affordable option for wireless camera control via an onboard camera monitor.
In the end, you’ll probably end up not using the case, which is a bit of a shame. I think most filmmakers would have preferred spending a little extra money to get a larger case that can fit a couple of accessories. But, this is a budget-friendly monitor, so I understand that PortKeys have to save money somewhere, and this is already nice to include a case for the price.
Not all monitors are created equally, and the quality of the display behind them may vary significantly. A great on-camera monitor must be as color accurate as possible and as close to “what you see is what you get” as possible.
The answer is yes. I had no issues at all – the build quality of both monitor and camera is top notch, and there was no overheating of both devices. The monitor has a fan which I turned down to the lowest setting to avoid picking up the sound, so it got very very hot. It still worked reliably.
The addition of this plate easily turns the F7 PRO into an affordable, compact director or 1st AC monitor. Furthermore, the vertical position of the NP-F style plate can be adjusted by loosening two screws in order to adapt to a wider variety of systems.
I would have preferred longer threadings with a full turn or even a bit more. That way, it would avoid possible loosening problems, even if it didn’t happen to me during the making of this review.
As I already mentioned, the screen is hard to see if you’re shooting outdoor. But, on a cloudy day, it can get the job done with the included sun hood.
I think that this smart move from Atomos will allow the E2 to become even more popular amongst independent filmmakers looking for a lightweight camera package capable of shooting high-quality images.
Now, this was a major deciding factor for me to take the Z CAM E2 cinema camera on my trip – 4k DCI ProRes HQ in a small but durable package – despite the risk of taking a new, unknown camera with me I just couldn’t say no.
This can seem quite simple. However, to access these pages, you have to swipe the monitor in various directions to go to the desired page. For example, for the System page, you have to swipe left. For the function page, it’s a swipe on the right. The Control Settings page needs a swipe down and a swipe up for the motor page. It’s not easy to memorize, and there’s no visual indication of the page you’re currently in. But it doesn’t end there.
The comes in a compact cardboard box. Nothing exciting so far. Once you open it, everything is neatly packed, with no space wasted. It’s the kind of box that is impossible to re-pack once you’ve opened it and taken the products out. Interestingly enough, the monitor doesn’t come with a case to store it in.
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