Portkeys has just launched a new lightweight 5″ on-camera monitor: the Portkeys PT5. This monitor can take HDMI input/output signals at up to 4K DCI at 24p or 4K UHD at up to 30p, it has a maximum brightness of 500 nits with all the monitoring tools you need to control your image properly, and it retails for only $169. So let’s take a closer look at Portkeys’ most affordable monitoring option yet!.
This type of case is similar to most – if not all – Portkeys monitors. However, I was pleased to see that this case is more prominent than previous cases.
This new Portkeys PT5 on-camera monitor came out in July 2021 and is the company’s most affordable monitor to date. With a $169/€150 price point, I was skeptical at first regarding what this monitor has to offer. However, I soon realized I had nothing to worry about.
To adjust the monitor mount’s tension, you can tighten/loosen the two screws on the side that holds the monitor bracket in place, but you always need an Allen key for that. A ratcheting screw/lever could’ve been a better way to do it.
Another piece of accessory is the GDU Side Mounting Bracket for Komodo priced at $39. The bracket is reversible and it can mount on either side of the camera for mounting handles and other accessories. It includes multiple 1/4″-20 threads as well as three 3/8″-16 anti-twist threads. Every bracket includes two M4 screws to mount to the camera’s body.
However, even if I found the UI easy to understand, there are some things I did not like. First, when you open the menu, it’ll stay open for a certain amount of time that you can adjust between 10 and 30 seconds. But when you’re done, you can’t exit the menu and hide it. Instead, you’ll have to let it disappear on its own without touching anything for 10/30sec.
However, the 5-inch display of the BM5 is a little too small sometimes, especially for focusing or precise monitoring tasks. There’s some good news though since PortKeys is now improving their 7-inch monitor lineup by introducing a Metal Edition of their already-existing HS7T monitor. Let’s take a look at the improvements.
This red power button is next to the Function button – they’re the same size/feeling to easily mix them up. Building up muscle memory will be difficult and you’ll probably turn off your monitor multiple times trying to find that function button.
Portkeys recently released an updated version of its famous BM5 monitor that can control your camera: the Portkeys BM5 III WR. This new model features a bigger 5.5″ display with a maximum brightness of 2200nits. It has a built-in Bluetooth module to control your camera, and an implemented wireless camera control for the RED Komodo. Let’s take a closer look at it!.
The PortKeys LEYE electronic viewfinder was first announced back in November 2020. This 4K HDMI-only EVF had a nice and compact form factor (106 x 70 x 78 mm) for a weight of 300g. In addition, the LEYE features a 2.4-inch display with a resolution of 1440 x 900, and can take signals up to 4K at 30 frames per second.
MZed Pro annual membership is available for just $199 (normally $299, save $100). Members get access to MZed library of 29 current courses plus new courses added regularly. The ourses can be downloaded using their new iOS app.
Out of the box, the colors and images coming out of the are totally off. So it’ll take you some time to get something I would call acceptable. Most on-camera monitors are set at 6500°K, but even with multiple tweaks, I had to put the Black Mini to 7500°K and make some brightness/tint adjustments by hand to get in a somewhat accurate ballpark.
Last but not least, the bag comes with a 5-year warranty. You’ll need to register and activate your warranty on Manfrotto’s website. The company’s customer service is incredible, and you can trust their warranty.
To give you a rough idea, the PT5’s maximum brightness is slightly over the Canon EOS C70’s display, which is also hard to view in bright daylight conditions.
The PortKeys LH5H is in-factory calibrated using an X-Rite i1 Display Pro colorimeter. The display should look as good as it can be right out of the box without further adjustments. If you have an i1 Display Pro prob, you can re-calibrate your LH5H yourself later down the road if needed.
An external camera screen or on-camera monitor takes the video and audio signal from a camera and displays it on a separate monitor. The two most common systems to send those signals from your camera to the monitor are HDMI and SDI.
Having excellent and accurate monitoring tools to evaluate what you’re shooting is great, but the image quality of a monitor is more crucial. Not all monitors are created equal, and the quality of the display behind them may vary significantly.
The batteries have two power connectors (plus and minus) used to charge them and connect to the handle’s pins. Also, there are small coded pins, so you can’t insert the battery inside the handle or charger in the wrong direction.
If you have never heard of VIDEOGEAR, don’t worry, because neither did I prior to testing their monitor. Also, there is very little information on this company on the Internet as they don’t even seem to have a website or utilize social media. The company only sells its product on various marketplaces such as Amazon.
And this is the feeling you get, colors are not off, but you can make them better by adjusting the contrast a bit and the chroma/tint settings by plus or minus two/three. If you have an i1 Display Pro prob, you can even re-calibrate your LH5P yourself later down the road if needed.
Most of the navigation inside the UI happens via the touchscreen. But, you can also use the physical Menu and navigation buttons at the top of the monitors. These buttons allow you to navigate inside a page. However, you can’t switch pages from these buttons.
However, I found that the Flexloader L quickly caught dust and marks during my tests. I’ve not been very kind with it and shot in some industrial factories that are not the cleanest environments out here. Back at the office, a quick wipe with a wet sponge and the backpack looked brand new again – as it cleans easily – but it’s something to notice.
There is a loupe in front of the display, but it doesn’t look like you can flip it/remove it, according to the pictures. To fit nearly every filmmaker, the loupe of the LEYE features a +8 to -3 diopters adjustment. Also, the loupe’s back is totally round, with a “sponge eye mask” that prevents LCD sunburns and allows users with glasses to look at the EVF easily. However, no “traditional” eyecup is included, which is a little bit of a bummer.
The menu itself is straightforward and well structured, also custom presents for the function buttons are available. However, some of the settings require deeper dives (changing the frame rate for example), hence doing that in the heat of the action does not work so well.
The direction of the NATO rail mount can’t be adjusted, like other top handles on the market, which is a bit of a letdown.
Left side: one HDMI input port, one USB port, a 3.5mm headphone jack, and a 7-24V DC input port with a barrel connector.
First, there are two small expendable pouches, one on each side. I have issues with this kind of tripod pockets most of the time, as they are small. To give you an idea, they barely fit a Peak Design Travel Tripod, one of the most compact camera tripods you can get.
As you can see, you need a cable to connect the handle to some cameras. Otherwise, if you are a Blackmagic Design Pocket Cinema Camera 4k/6K user, you can wirelessly control/adjust:.
To modify a tool’s settings, you have to hold the icon of the tool you want to adjust in the sidebar and slide to the right at the same time. I’ve been able to make it work, but even with the user manual, it’s not straightforward, and it took me a dozen tries to get to the tool adjustments settings.
The Manfrotto PRO Light Flexloader L is one of the biggest carry-on camera backpacks available on the market. In this review, we’ll take a look at the bag’s build quality, features, and how much gear it can hold. If you’re looking for one of the best solutions money can buy, let’s take a closer look at the Flexloader L!.
Also, this review was initially done on the PortKeys LH5H that came out in July 2020 but was discontinued less than six months after its release. This review was ready to go, and we had to do it all over again when the LH5P came out (you can feel the blood tears here).
Before we dive deeper, while I like the included hard case that does its job at protecting the monitor, there’s no extra space inside to put a battery – even if you attach a small Sony NP-F battery, the case doesn’t close anymore – or some spare HDMI cables. Even the antennas don’t fit mounted to the monitor inside the box.
To use a Sony NP-F battery, slide it to the right. I already said it for Portkey’s monitor, but I love that battery powering option.
USB cables: a mini-USB to USB-C cable, and a mini-USB to Lanc camera control cable. When you purchase the LH5P, you have the option to buy additional camera control cables.
What do you think of this new PortKeys OEYE-3G EVF? Do you already use an EVF with your camera? Let us know in the comments down below!.
Untouched (left) vs. tweaked (right) colors when applying the official Z-Log2 LUT to the Z Cam E2C footage. Skintones are yellowish, tweaks are needed (screenshot from Resolve).
The next bundle includes the newer flagship full-frame mirrorless camera from Panasonic – the LUMIX S1H (our Review, our Lab Test). The camera can record up to 6K 30P or a wide range of 4K modes. It offers nice ergonomics, good IBIS, and relatively clean images with high ISO.
The sweeping images we see on movie screen are first visualized by looking through a camera, but the second step before anything rolls is to view them through a larger monitor.
However, according to Volta Cinema, they “uses the legacy D-tap port which usually has a 14V output but in the case of our top handle, the output is only 7.2V.”.
Temperatures in the Indian jungle would be as high as 45°C, the climate is very dry hence exposing the gear to the bumpy, dusty roads in an open jeep got me a bit nervous. Would the cam and the monitor survive?.
The buttons on top of the monitor are a bit rigid and clicky too. The battery fit at the back of the monitor is smooth, tolerances are good, and both Sony/Canon batteries go in and out smoothly; no issues here.
The BM5 is PortKeys’ new 5-inch 1080P flagship field monitor. It features an HDMI and SDI input, and an SDI output with cross-conversion. In case you need to monitor your sound, a 3.5mm output jack is located on the left side. There is a USB port at the bottom of the monitor for future firmware upgrades.
The LEYE SDI will retail for $549/€500. It is already listed on our partners’ websites B&H and CVP, so it should be available very soon!.
In terms of battery life, I’d say it’s a massive improvement over a Sony NP-F 970 battery on the back of an on-camera monitor. On the SWIT CM-S75F, one Volta36 battery gave me close to four/five hours of continuous runtime. On the PortKeys BM5, my four hours shoot was over, and the top handle’s battery wasn’t dead.
I guess adding a small button at the bottom of the screen that allows you to access the “tool adjustments” settings would be a good help and easy to do (UI/Software change).
Pretty much every tool you need is here to judge your image, except Zebras and a Vectorscope, but that’s already decent for an entry-level on-camera monitor.
The Portkeys BM5 III WR is available now for €517. When you order it, you’ll have to choose the correct control cable for your camera, if you want to control it wired.
The other part of the “proper” 3rd-party EVF market consists nearly entirely of Zacuto products. I will not mention the Wooden Camera modification kit for the Blackmagic URSA EVF. We recently reported about the new Zacuto Kameleon EVF, but they also make other EVFs like the Gratical Eye that we reviewed and the Gratical HD. These EVFs are amazing, full of features and build like tanks, but they are not cheap at all.
In addition, there are multiple exhaust vents all around the monitor, which help with heat dissipation. Talking about heat, I was stunned that the monitor was not warm or hot to the touch even after a couple of hours of being turned on. So that’s a good sign!.
These theoretical tests don’t have much sense to me as you usually don’t always shoot at full brightness for this amount of time without switching off the monitor, but it gives you a rough idea. In “normal” real-life shooting conditions, I found the battery life to be pretty good.
Home
Community
☰
