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The battery fit at the back of the monitor is snug. The battery goes in and out smoothly; no issues here. There is a battery lock to keep everything nicely and securely in place.
The user interface of the PortKeys LH5P is not its most significant strength, to say the least. When I purchase or review a product, I never read instructions (like most filmmakers, I am assuming), which means a product must be intuitive. I think you should be able to give a monitor to any camera assistant and everybody must be able to make it work without reading a book. That is not the case with the LH5P.
Sony RX100 III Camera Kit with Accessories – $150 Discount.
Change your aperture, ISO, shutter, white balance settings.
The comes in a compact cardboard box. Nothing exciting so far. Once you open it, everything is neatly packed, with no space wasted. It’s the kind of box that is impossible to re-pack once you’ve opened it and taken the products out. Interestingly enough, the monitor doesn’t come with a case to store it in.
PortKeys LEYE – Display and Loupe.
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write one representative news post about a current subject of your own choosing that you would consider a “perfect fit” for our site (and which we haven’t written about yet). It can be either a classic news post of something current (example here), a review (like here) or a longer educational post (like here). Choosing the right subject and headline is almost as important as the proper content to go with it :-).
FUJIFILM X-T4 Bundle – €112.82 Savings.
But Tudor didn’t stop here. He worked hard on its product and idea to refine the design, improve features, and launch it on its own a couple of months later, in August 2020.
In short, blacks are not black anymore, but more on the grey side, and the picture starts to be a little washed out. On the , even if it has a “low” maximum brightness of only 400nit, you can see that the image shifts quite a lot when the backlight is at 100%.
Your camera monitor attaches to the mount via a 1/4″-20 screw. There is a rubber pad to protect the bottom of the monitor from being scratched.
Lenswise, I opted for two lenses only: the Olympus 12-100mm f4 for the documentary part (it has great image stabilization), and a Canon EF 100-400mm f4.5 – 5.6 version 1 using a Metabones speed booster for the wildlife part.
However, according to Volta Cinema, they “uses the legacy D-tap port which usually has a 14V output but in the case of our top handle, the output is only 7.2V.”.
I’ll say it again: this is an $89 on-camera monitor, so don’t expect it to survive a drop at home nor monthly rentals to professional filmmakers. It gets the job done for owners/operators, but that’s it.
The monitor mount is decently made; it’s mainly made out of aluminum.
Dynamic Range of the Z Cam E2C Cinema Camera.
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Before we dive deeper, while I like the included hard case that does its job at protecting the monitor, there’s no extra space inside to put a battery – even if you attach a small Sony NP-F battery, the case doesn’t close anymore – or some spare HDMI cables. Even the antennas don’t fit mounted to the monitor inside the box.
Atomos Unleashes ProRes RAW for the Z CAM E2.
If you’re new to PortKeys, this company is specialized in affordable HDMI and SDI camera monitoring solutions. Recently, we talked about their LEYE viewfinder, the fully-featured SDI/HDMI BM5 monitor, and the affordable PortKeys P6. The company has just released a new 5.5″ HDMI-only monitor, the PortKeys LH5P. This product name may sound familiar to you, as it is the big brother of the PortKeys LH5H that was released last year.
Pricing and Availability: The price for the OEYE-3G EVF is $1,199.00 and the device is expected to ship in early May.
Make sure to check our hands-on and footage article as well as Philip Bloom’s two hour in-depth review of the camera. This bundle will get you the camcorder body with Sony 120GB XQD G-Series memory card and a spare Sony BP-U60 56Wh battery (another battery ships with the camera already).
you actively come up with your own ideas.
Indeed, the Flexloader L comes with a built-in TSA lock that allows you to securely close your bag when you’re commuting, for example.
A quite surprising result on the rolling shutter measurements, which adds up to the very positive overall impression: in 4K DCI 25p mode (using ProRes HQ and ZLOG2) I got a very good result of 11.1[ms]. For comparison, the BMPCC4k has a rolling shutter of 16[ms] in UHD 25p mode.
The PortKeys LH5H is in-factory calibrated using an X-Rite i1 Display Pro colorimeter. The display should look as good as it can be right out of the box without further adjustments. If you have an i1 Display Pro prob, you can re-calibrate your LH5H yourself later down the road if needed.
Right side: a power switch, a USB Type-A port, and a 7-24V power input/output port with a barrel connector.
And an expandable gimbal pocket that opens in two steps: first, unlock the zippers all around the bag. Then, extend your bag to reveal the full-size gimbal pocket. This pocket is initially designed to fit a Manfrotto gimbal, like their 300XM modular gimbal.
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