While the BM5 features every tool you need nowadays, this is not what caught my attention. What’s impressive is the “camera remote” port and the remote camera functionalities.
Portkeys is a Chinese company that released a full lineup of affordable on-camera monitors and viewfinders with an impressive price/feature ratio in a couple of years only. If you’ve never heard of them before, you can take a look at my in-depth review of the Portkeys LH5P here.
You can get the gimbal inside the bag; it works. However, I’m not a massive fan of putting some stress on a motorized gimbal that will take some pressure from my back.
Fig. 3: The Portkeys BM5 monitor – bright (2000 NITS) and well built, however the screen is very reflective which can hamper the viewing experience outside.
If you are tempted by the price to use it as a cinema camera be aware that the rolling shutter means that you cannot shoot handheld footage without a stabilized lens. It’s an absolute must in that scenario.
The FEELWORLD F7 PRO offers several input and output power options. The monitor can be powered using either a Sony NP-F battery or via a 12V DC power input. Moreover, a 5V USB-C port offers an extra power supply option, while an 8V DC output can provide power to your camera.
To use a Canon LP-E6 battery, slide it to the left. To use a Sony NP-F battery, slide it to the right. That’s very smart, and I love it.
This update makes the Z CAM E2/Atomos a very capable lightweight combo capable of shooting 4K60P ProRes RAW for just under $2500.00, which is incredible. (Our friend and colleague Philip Bloom shot a short piece with this new setup. You can view it by clicking here).
To me, being able to control the camera using a field monitor (like a RED Touch for example) is a big thing. If I can get a bigger monitor to mount on a Canon C200 or Sony FS5 and still be able to control the camera like the standard little screen, it’s a go-to.
Waveform plot of the Xyla 21 stepchart: about 10 stops of dynamic range can be identified. Strangely, the noise floor is cut off by the way how Z-Log2 is implemented – not good.
The addition of this plate easily turns the F7 PRO into an affordable, compact director or 1st AC monitor. Furthermore, the vertical position of the NP-F style plate can be adjusted by loosening two screws in order to adapt to a wider variety of systems.
You can immediately feel that it’s a well-made product out of the box. The materials look dense, the stitchings of the bag are perfect, the sewing thread is thick.
The first bundle includes the full-frame mirrorless camera from Panasonic – the LUMIX S1 (our Review, our Lab Test). With its 24.2MP sensor, the camera can record up to 4K 60P cropped or 4K 30P uncropped video. It offers nice ergonomics, good IBIS, and relatively clean images with high ISO. It even became our camera of the year in 2019. The bundle further includes the Sigma MC-21 adapter and Sony 120GB XQD G-Series memory card.
These theoretical tests don’t have much sense to me as you usually don’t always shoot at full brightness for this amount of time without switching off the monitor, but it gives you a rough idea. In “normal” real-life shooting conditions, I found the battery life to be pretty good.
Last but not least, Portkeys implemented wireless camera controls for the RED Komodo. This means that, compared to the SmallHD Focus Pro, for example, you don’t need an extra cable to communicate between the Komodo and the monitor.
During our cinema5D Virtual Show, we caught up with Dan Chung from Atomos to discuss the upcoming Atomos Ninja V and Z CAM E2 firmware updates that will allow ProRes RAW recording over HDMI. The Atomos Ninja V 5″ HDR monitor-recorder has been very popular for Z CAM E2 users because the camera doesn’t have a proper screen to monitor what you’re shooting.
I guess adding a small button at the bottom of the screen that allows you to access the “tool adjustments” settings would be a good help and easy to do (UI/Software change).
write one representative news post about a current subject of your own choosing that you would consider a “perfect fit” for our site (and which we haven’t written about yet). It can be either a classic news post of something current (example here), a review (like here) or a longer educational post (like here). Choosing the right subject and headline is almost as important as the proper content to go with it :-).
What is unique with the Volta Cinema Top Handle is that it is the first design I saw where you could swap batteries to use it infinitely if you have enough batteries. With very little information available on the Internet and no reviews yet, we reached to the company to see if it holds all its promises.
B&H Buy link: Canon EOS Rebel T7i Camera with 18-55mm Lens and Accessories Kit Was: $899.00 Now: $649.00 (Savings: $250.00).
Also, once the image looks acceptable, you can start seeing that the display doesn’t have a high density of pixel: 441ppi, according to the manufacturer. If you’re pixel peeping, you can see individual pixels on the screen.
There is a little built-in screen on top of the camera but no “proper” display. You need to add your monitor via the HDMI/SDI ports.
The PortKeys LEYE is very compact, with dimensions of only 106 x 70 x 78mm. Most of the device is made of plastic, except for the metal rear cover.
I had an enjoyable time using the LH5H in run-and-gun situations, especially with a mirrorless camera. The monitor is light, it has a decent battery life, so it’s perfect for compact camera setups. However, I had a couple of hard times with the UI while trying to adjust some features, but I already mentioned that.
you have the time to write regularly – people with full-time jobs should check if they can find the time to write regularly.
PortKeys has just announced a new 5.5-inch field monitor: the PortKeys P6. This monitor features a 1080P display with a decent 500nit brightness and a 4K HDMI input plus a 4K HDMI output. Let’s take a closer look at it!.
Most of the magic from the PortKeys Universal Handle happens on the inside. Indeed, it features a built-in Bluetooth and WiFi control module. In short, it means that the handle can connect wirelessly to your camera to control it. Below is a list of the settings and functions you can control via the Universal Handle.
Let’s talk quickly about the batteries’ technology. According to Volta Cinema, the Volta36 uses the same 21700 cells as Tesla uses in their cars. These cells allow them to pack more energy in a smaller format.
Left side: one HDMI input port, one USB port, a 3.5mm headphone jack, and a 7-24V DC input port with a barrel connector.
Because it oversamples its 20.1 MP full-frame sensor, it offers better image quality, but at the cost of some overheating issues. Take a look at our Canon R6 review to know more. This set includes an extra Canon LP-E6NH battery and Canon 24-105mm f/4L RF-Mount lens.
Sony: A9, A7 II, A7 III, A7 IV (from their website – yes, this camera doesn’t exist yet!), A6000, A6300, A6400, A6500, RX100, RX02.
Plus it offers Canon’s excellent Dual-pixel AF system. You can take a look at our 1DX Mark III review to know more about it. This set also includes the Canon 24-70mm f/2.8L II EF-Mount lens and Sandisk 512GB 1700MB/s CFexpress card.
The Chinese manufacturer PortKeys is starting to be well-known for making affordable monitoring solutions for filmmakers with a lot of built-in monitoring and camera control features. We first heard about the company with the fully-featured BM5 monitor that can control your camera, then more recently the LH5H that is HDMI-only which we are currently reviewing – stay tuned for more info about it.
I love the fact that it allows high frame rates, ProRes recording, and many more things. Z CAM is definitely a company to watch out for – also, I am curious to see their new APS-C and full frame cameras (S6, F6, and F8) that are scheduled to arrive later this year.
The FEELWORLD F7 PRO is now available for purchase on the FEELWORLD website, coming at an affordable price of $239. FEELWORLD is also offering a discount during the first week of the release, when using the promo code FEELWORLD F7 PRO at the time of purchase. Included in the box are a Micro-HDMI Cable, a Sunshade, and a Mini Hot-Shoe Mount.
In total, you can put up to twelve monitoring tools on the sidebars. Then, when you’re set, all you have to do is press an icon to enable/disable this tool. In addition, you can long-press on a shortcut to change it or remove it from the side.
Cine 7 monitor + Bolt 4K Monitor Module 750 TX connected to the camera with ARRI license installed (If you are using 2 Cine 7 monitors you can have the license installed on either one.).
This cover also features all the mounting points: a built-in NATO rail and three 1/4″-20 mounting points with ARRI locking pins.
According to Manfrotto, the fabrics are water repellant. Also, there is a built-in fold-out rain protector located at the front of the bag. I did not stress-test the water resistance, but I never had issues with Manfrotto products in rainy conditions in the past, so this one should be no different.
The monitor has a contrast ratio of 1000:1, and the panel itself is 10-bit (8+2 FRC), so not “true” 10-bit. An 8+2 FRC panel is less expensive for manufacturers to produce, as it’s based on a “software trick” to simulate 10-bit on an 8-bit panel. I’m simplifying things here, but keep in mind that even some of the most expensive monitors from SmallHD or Atomos (except NEON) use the same technique.
In late March we first announced that PortKeys, based in China, was taking the leap into the EVF world with their new OEYE-3G. cinema5D caught up with PortKeys team at NAB 2019 for an inside look into the new 0.7″ 1080P OLED display Electronic Viewfinder. All the details are below including pricing and availability.
However, the resolution of the LH5H is FullHD 1920 x 1080, and it can take 4K HDMI signals. In front of the screen, they use tempered glass to protect the monitor from scratches and the harshness of set life.
Internally, it can record to CFAST 2.0 cards in C4K and 4K UHD at up to 160 fps in H.265. In HD resolution, you can go at up to 240 fps in H.265. In Apple ProRes 4:2:2 10-bit, you can go at up to 60 fps. Finally, in ZRAW (partial-debayer), it supports C4K at up to 30 fps internally.
You are limited to a single 7-24V Lemo port for power and some may miss having a battery option. After a quick run-through the menu/UI seems especially intuitive and the peaking seemed great.
In short, the PortKeys LH5P has plenty of input/output power ports, which is nice, as some much more expensive options out there don’t offer that much.
Once you’re inside a page, the parameters at the bottom of the screen will change. Then, all you have to do is click the setting you want to change and do your thing.
On top of the P6, there are four control buttons to quickly access your favorite functions, an On/Off switch, and four buttons to navigate through the menu. To mount the monitor on your camera, there is a 1/4 20″ mounting point at the bottom and one on the right side.
The menu itself is straightforward and well structured, also custom presents for the function buttons are available. However, some of the settings require deeper dives (changing the frame rate for example), hence doing that in the heat of the action does not work so well.
The Portkeys PT5 only has one 1/4-20″ mounting point at the bottom, which is the same as the LH5P that I already reviewed, so that I would have the same complaints: one mounting point is often not enough for an on-camera monitor, and 3/8-16″ mounting points with ARRI locating pins are more versatile.
Overall, the PortKeys HS7T Metal Edition seems to be designed to meet both focus pullers’ and director’s needs, even though it would have been great to see an even brighter 7” option from this company. We’ll probably have to wait a little longer for that. Meanwhile, the PortKeys HS7T Metal Edition is available for purchase on the PortKeys website. Retail price is $399.
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