Z CAM E2 is a very capable small cinema camera with the Micro four thirds camera mount. It can record in ProRes HQ 10-bit or 4K up to 120fps in H.265 internally. Take a look at our Z CAM E2 review. This bundle with the free PortKeys BM5 monitor and control cable (so the camera can be controlled from the monitor) looks really tempting. Additionaly, the CVP price even without discount is better when compared to other european distributors.
In terms of weight, the monitor is 250 grams/8.8 oz without batteries. External dimensions are 144 x 114.8 x 28mm/5.5 x 4.3 x 0.7in without battery. Comparing the LH5P to some of its competitors, like the smallHD FOCUS 5, the PortKeys monitor is slightly heavier. However, with dimensions of 133 x 84 x 19mm/5.25 x 3.3 x 0.75in, Focus 5 is overall smaller, but it is 5″ vs. 5.5″.
Canon EOS Rebel T7i/800D Camera with 18-55mm Lens and Accessories Kit – $250/€126 Discount.
CVP Buy link: FUJIFILM X-T30 Camera Body Was: €827.09 Now: €680.96 (Savings: €146.13 including Cashback).
We plan to add subsequent control to Sony FS5/FS7, Canon C200/C300 II, RED, and ARRI cameras. We even plan to add the Tilta Nucleus N/M wireless follow focus The user can update the monitor’s firmware via the USB port.
The EOS R is the first full-frame mirrorless camera from Canon. It features the new RF lens mount, and 30.3MP CMOS sensor along with a DIGIC 8 image processor. It tops at UHD 4K30 for video recording and the sensor also facilitates Canon’s great Dual Pixel AF system – probably the best autofocus system for video right now. The camera can shoot in Canon Log gamma for higher dynamic range and it can output 4K 10-bit 4:2:2 over HDMI.
False Color, Zebra, Underscan, Luma Histogram, Luma Waveform, RGB Waveform, 3D LUT.
So far, so good! Next, I put the Z Cam E2C through our lab to measure dynamic range and rolling shutter.
Who is this monitor for? I think it can be a fantastic addition to your kit if you don’t need a daylight-viewable monitor nor the built quality of a product you can rent. For owner-operators that are shooting inside most of the time, or people that are making live streams, you can’t go wrong with the Portkeys PT5.
The FEELWORLD F7 PRO offers several input and output power options. The monitor can be powered using either a Sony NP-F battery or via a 12V DC power input. Moreover, a 5V USB-C port offers an extra power supply option, while an 8V DC output can provide power to your camera.
PortKeys has just announced the launch of a new 5.5″ on-camera monitor: the PortKeys LH5P. This HDMI-only (in/out)monitor is made out of aluminum, it is daylight-viewable with a maximum brightness of 1700 nits, and it can control your Blackmagic Pocket Cinema Camera 4K/6K wirelessly. Let’s take a closer look at it!.
The battery charger has a micro-USB port, and I was a bit surprised that no charging cable was included. I reached to the company that told me:.
What do you think of this new PortKeys OEYE-3G EVF? Do you already use an EVF with your camera? Let us know in the comments down below!.
Some tweaks to the footage are needed to make it look more pleasing – that was not the case with the sister model Z CAM E2 which offers very nice, out of the box colors using the same LUT’s.
Atomos has just announced that the Atomos Ninja V 5″ HDR monitor-recorder will support ProRes RAW recording from the Z CAM E2. The Ninja V will be able to record 12-bit Apple ProRes RAW at up to 4K60p. We caught up with Dan Chung from Atomos to learn more about it.
Panasonic G9 used to be “only” a great MFT mirrorless camera with a main focus on photography. Panasonic recently announced new firmware update, which will equip the G9 with killer video features – same like its slightly bigger sibbling, the GH5. G9 will be able to record 10-bit video internally up to 4K 30p, 4K 60p 8-bit, new slow motion framerates in 1080p, and it will also support the paid V-log upgrade.
Unfortunately, after the rolling shutter, the next disappointing fact was revealed: by the way how the stops are distributed in the Z-Log2 profile (which is the obvious choice for highest dynamic range readings), the noise floor is completely cut off.
Last week, we were the first to report about a new company named PortKeys and their BM5, a field monitor capable of controlling your camera. Ahead of NAB 2019, the company just announced another exciting product, the OEYE-3G EVF. Let’s take a look at this exciting new EVF.
If you are tempted by the price to use it as a cinema camera be aware that the rolling shutter means that you cannot shoot handheld footage without a stabilized lens. It’s an absolute must in that scenario.
These are very good results for a micro four thirds sensor, almost exactly the same as for the Panasonic GH5s (10.7 stops) and coming in second behind the other four thirds cinema camera rival, the Blackmagic Pocket Cinema Camera 4K, BMPCC4k, which has 11.6 stops of dynamic range in ProRes HQ.
The monitor comes with a wipe cloth and a USB disk. More accessories are available to purchase separately, including a safety box, an anti-fall rubber protection bracket, a sunshade, and a handy pan/tilt arm to mount it on top of your camera.
A few days ago Jarred posted a short demo of the new version of RED CONTROL app on iOS. The app seems to be able to control the Komodo and provide image feed from the camera with very little lag.
To me, being able to control the camera using a field monitor (like a RED Touch for example) is a big thing. If I can get a bigger monitor to mount on a Canon C200 or Sony FS5 and still be able to control the camera like the standard little screen, it’s a go-to.
The top flap features three meshed pockets: two small ones (12.5 x 11cm/4,92 x 4,33in) at the top and a large one at the bottom (23 x 17cm/9 x 6,7in).
The only thing that prevents it from slipping out of the handle is the battery cap (if it ever moves.) Update: Volta Cinema told us that the monitor mount comes with a small m3 screw in the box, that is used to secure it tightly to the handle, as the monitor mount is not meant to move around in any way.
Finally, on some pages, like the Settings page, you have various settings you can adjust at the bottom of the screen/menu. But, for some settings, there are two subpages. One weird thing is that you have to use the physical buttons to access the second subpage, which doesn’t make sense to me.
Filmmaking for Photographers with Philip Bloom is available for $149 (normally $199, save $50).
On most on-camera monitors (the ones that are not OLED), if you crank up the brightness to its maximum setting, the display tends to lift the image’s black parts. In short, blacks are not black anymore, but more on the grey side, and the picture becomes a little washed out.
Cine 7 monitor + Bolt 4K Monitor Module 750 TX connected to the camera with ARRI license installed (If you are using 2 Cine 7 monitors you can have the license installed on either one.).
Make sure to check our hands-on and footage article as well as Philip Bloom’s two hour in-depth review of the camera. This bundle will get you the camcorder body with Sony 120GB XQD G-Series memory card and a spare Sony BP-U60 56Wh battery (another battery ships with the camera already).
Panasonic S1 is a very capable full-frame mirrorless camera. It can record internally at up to 4K 60fps in 8-bit and output 4:2:2 10-bit signal externally. For more information about the camera please check our Panasonic S1 review and the revisited V-log upgrade review.
Before we dive deeper, while I like the included hard case that does its job at protecting the monitor, there’s no extra space inside to put a battery – even if you attach a small Sony NP-F battery, the case doesn’t close anymore – or some spare HDMI cables. Even the antennas don’t fit mounted to the monitor inside the box.
Anamorphic de-squeeze options added: 1X, 1.33X, 1.42X, 1.5X, 1.66X, 1.85X, 2X, 2.35X, User (1.00X~3.00X).
As I mentioned previously, you can navigate inside the UI via the touchscreen or the physical buttons. But, you can also turn off the touchscreen by long-pressing the power button. It’s nice to have that option if you want to avoid fingerprints on your display!.
The Portkeys PT5 is passively cooled, so it does not have a built-in fan. Also, it means that the monitor doesn’t make any noise when it is on.
We first reported about their Portkeys BM5 monitor in 2019, a 5-inch field monitor with SDI/HDMI input and output ports capable of controlling your camera. The company released an upgraded version, the PortKeys BM5 III WR, that boasts a bigger screen and a couple of new features.
But, you’ll have to handle all that extra tripod weight on your back, the unbalance, and the Flexloader L will flip over when you put it on the ground. Also, it’s not very practical to access the bag’s camera compartment.
The LEYE SDI will retail for $549/€500. It is already listed on our partners’ websites B&H and CVP, so it should be available very soon!.
In short, at least on paper, it seems like the LH5H comes with all the tools you need to correctly judge the exposure of your image and frame your shots correctly.
The waveform plot of our Xyla 21 stepchart shows about 11 stops (see figure 1). Using IMATEST to calculate the dynamic range I got a result of 10.8 stops at ISO 500, Z-LOG2 using ProRes HQ 4k DCI 23.98fps (at a signal to noise ratio of 2, 11.9 stops for SNR = 1, see figure 2).
The Volta36 batteries can’t be charged through the top handle, so it comes with a specific battery charger. As I mentioned earlier, the charger has a micro-USB port so that you can charge the cells via a USB wall adapter or even a power bank.
The batteries are best isolated from one another when traveling as long as there are other metallic components in the compartment. We haven’t yet experienced a short after months of use. They have short circuit protection, but as you know, in case it does happen it requires the user to connect them to the charger in order to restore them.
If your monitor colors are incorrect, you won’t see your footage how it really is. For example, when a monitor’s colors are wildly inaccurate, you can see orange when you’re supposed to see yellow or red. It can affect how you’ll set your camera’s white balance or exposure, for example.
And an expandable gimbal pocket that opens in two steps: first, unlock the zippers all around the bag. Then, extend your bag to reveal the full-size gimbal pocket. This pocket is initially designed to fit a Manfrotto gimbal, like their 300XM modular gimbal.
The design of the Portkeys PT5 is minimalistic, and I love it. It looks a lot like an Apple iPhone.
The Manfrotto PRO Light Flexloader L’s design is sober; it’s light black with a couple of “Manfrotto signature red” touches here and there.
The is a 5″ on-camera monitor / live streaming device with decent features: a 400nits touchscreen display with a 1920 x 1080 resolution, one 4K HDMI 2.0 input port, and plenty of monitoring tools all in a very compact package. When I heard about its super low price at $89 (a special CineD price), I had to give it a try to see how it performs. Here are my findings of the most affordable monitor we ever reviewed on CineD!.
RED Komodo with the new Laowa 9mm T2.9 lens. Image Credit: Phil Holland.
What do you think of the PortKeys Bluetooth Module? Do you think it is useful for the BMPCC 4K/6K cameras? Do you already have the PortKeys BM5 monitor? Let us know in the comments!.
So is the Manfrotto PRO Light Flexloader L the perfect bag? There are only very few minor things that, to me, could be improved:.
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