The PortKeys LH5H is in-factory calibrated using an X-Rite i1 Display Pro colorimeter. The display should look as good as it can be right out of the box without further adjustments. If you have an i1 Display Pro prob, you can re-calibrate your LH5H yourself later down the road if needed.
At the rear of the monitor, you will find the battery plate to power the PortKeys P6. The design of the battery plate is similar to the SmallHD 701, and you can use Sony NP-F batteries on the left side, or Canon LP-E6 on the right side. Also, you can power it with an external battery via the DC barrel input port.
However, I found the small dividers not high enough. When you have small items (batteries or memory cards, for example) in a tiny space separated by a partition, they tend to move around in your bag, get out of their dedicated space, and end up hitting other items inside the bag.
The monitor mount was designed for use with the SmallHD 5 series and the Portkeys BM5 but it will work with most other monitors that have 1/4″-20 mount holes on the bottom of the monitor.
The concept of a handle that can power your camera is not new, with products like the Soonwell PH70. However, I’m not too fond of products that have built-in batteries. It means that once you run out of battery, you have no way to pop a fresh battery pack and continue shooting. It’s a no-go for me in professional shooting conditions.
I’d say that from 0 to 25% brightness, black levels are okay, but you’ll have to consider gamma shifts if you go higher than that, which you’ll do if you go outside.
The $399 price tag of the PortKeys BM5 is outstanding for a monitor with that much functionalities. The field monitor will be available end of April. We will add B&H buy links when it become available.
On the Black Mini, there is only one HDMI input port. The monitor supports a maximum input resolution of UHD at up to 30p and FullHD at up to 60p. My findings are a bit different from the manufacturer’s claim of “4K 60Hz”, but it’s already pretty good.
The first bundle includes the full-frame mirrorless camera from Panasonic – the LUMIX S1 (our Review, our Lab Test). With its 24.2MP sensor, the camera can record up to 4K 60P cropped or 4K 30P uncropped video. It offers nice ergonomics, good IBIS, and relatively clean images with high ISO. It even became our camera of the year in 2019. The bundle further includes the Sigma MC-21 adapter and Sony 120GB XQD G-Series memory card.
That’s quite a hefty amount of weight to carry all day long, but you can quickly move around the city (and stairs!) with only one bag.
The buttons on top of the monitor are a bit rigid and clicky too. The battery fit at the back of the monitor is smooth, tolerances are good, and both Sony/Canon batteries go in and out smoothly; no issues here.
Another great addition is on the backside of the monitor. In fact, the new design includes a plate on the back of the screen to comfortably host a wireless video transmission system.
To know more about the video capabilities of this camera, you can take a look at our Canon EOS R review. If you would like to use the EOS R as a B-camera to the Canon C200, check our article on the topic.
Also, it is a WLED display, and the panel itself is 10-bit (8+2 FRC), so not “true” 10-bit, even if very few monitors are real 10-bit.
The R6 is one of Canon’s two newly introduced mirrorless cameras. It is the lower-resolution more-affordable sibling to the Canon R5. It offers internal 4K60p video in 10-bit with no crop and with AF.
Bottom: there is one camera control mini-USB port, a 5-pin motor camera control port that doubles up as a DC 7-24V power output port, one 1/4-20” mounting point with locating pins, and a USB Type-A port to update the firmware of the LH5P, load your LUTs, or power it.
If you wish to attach your monitor to a 1/4-20″ mounting accessory, all you have to do is put a 3/8-16″ to 1/4-20″ threaded insert. Simple and easy, I guess implementing this type of mounting option at the bottom of every monitor is easy to make, making every filmmaker happy.
What do you think of this new PortKeys OEYE-3G EVF? Do you already use an EVF with your camera? Let us know in the comments down below!.
As Phil Holland wrote, aside from REDCODE RAW files, the camera can also shoot ProRes MOV files for quick turnaround. They are available in HQ and 422 for both 4K and 2K resolutions. According to Phil, the camera can’t record both at the same time.
The Volta36 batteries can’t be charged through the top handle, so it comes with a specific battery charger. As I mentioned earlier, the charger has a micro-USB port so that you can charge the cells via a USB wall adapter or even a power bank.
In this discounted set, along with the camera, you get SanDisk 32GB extreme PRO UHS-II SDHC memory card, Watson 2000mAh battery pack, Watson compact AC/DC charger for NP-FZ100 battery, and Ruggard Journey 24 DSLR shoulder bag.
By shopping at our partners’ stores, you are supporting cinema5D through our buy links, as we get a small affiliate commission when a purchase is completed.
According to Portkeys, the PT5 only draws 6W of power. To give you a rough idea, as these results can vary a lot depending on the age/state of your battery pack, I did a quick test with a fresh Canon LP-E6N battery pack (14Wh).
To know more, check our Lab Test as well as Nino’s C300 Mark III review. This bundle will additionally get you a Canon 24-70MM F2.8L II USM EF-Mount lens and SanDisk CFexpress Extreme Pro 512GB memory card.
Also, don’t forget that you can put a light stand, a camera tripod, and two small LED tubes on the sides/front of the bag, as well as your gimbal and laptop at the back. It means that an entire shooting kit can fit inside/outside the Flexloader L.
This can seem quite simple. However, to access these pages, you have to swipe the monitor in various directions to go to the desired page. For example, for the System page, you have to swipe left. For the function page, it’s a swipe on the right. The Control Settings page needs a swipe down and a swipe up for the motor page. It’s not easy to memorize, and there’s no visual indication of the page you’re currently in. But it doesn’t end there.
Z CAM E2 is a very capable small cinema camera with the Micro four thirds camera mount. It can record in ProRes HQ 10-bit or 4K up to 120fps in H.265 internally. Take a look at our Z CAM E2 review. This bundle with the free PortKeys BM5 monitor and control cable (so the camera can be controlled from the monitor) looks really tempting. Additionaly, the CVP price even without discount is better when compared to other european distributors.
Also, there is a USB Type-A port on the right side of the monitor that you can use to power the PT5 via a power bank (5V/2A). If you power your monitor with a Sony NP-F or Canon LP-E6 battery, this USB port doubles as a 5V/1A power output that could easily charge your smartphone at the same time.
I received the Volta Cinema Top Handle in two boxes. In the first one, there was the handle, a NATO rail with two 1/4″-20 screws, and some extra connection pins in case the handle break. There were two batteries with one charger in the second box. Also, they included optional accessories: a dummy D-Tap to LP-E6 battery cable and the monitor mount.
The comes in a compact cardboard box. Nothing exciting so far. Once you open it, everything is neatly packed, with no space wasted. It’s the kind of box that is impossible to re-pack once you’ve opened it and taken the products out. Interestingly enough, the monitor doesn’t come with a case to store it in.
I am left a bit puzzled about possible use cases for this cam – by its very name it implies the use as a cinema camera which I definitely cannot recommend because of the mentioned extreme rolling shutter and the limited dynamic range.
The Manfrotto PRO Light Flexloader L is one of the biggest carry-on camera backpacks available on the market. In this review, we’ll take a look at the bag’s build quality, features, and how much gear it can hold. If you’re looking for one of the best solutions money can buy, let’s take a closer look at the Flexloader L!.
RED Komodo is the new Super 35 6K cinema camera that features a very small form factor. RED shipped out the first batch of custom-colored pre-release cameras in Grossman Gold color. The first hands-on tests and sample footage from Komodo users as well as first accessories are appearing.
DJI Osmo Pocket is the smallest Osmo yet. It combines camera with a 3-axis gimbal and fits literally in the palm. The camera still offers up to 4K 60fps video recording. Make sure to watch and read our DJI Osmo Pocket review for more information.
The company has just released a new budget-friendly 5″ monitor that could be a good option for filmmakers that are just starting out.
The Chinese manufacturer PortKeys is starting to be well-known for making affordable monitoring solutions for filmmakers with a lot of built-in monitoring and camera control features. We first heard about the company with the fully-featured BM5 monitor that can control your camera, then more recently the LH5H that is HDMI-only which we are currently reviewing – stay tuned for more info about it.
Fast forward 10 years and I have the new cinema camera Z CAM E2 from the Chinese manufacturer Z CAM in my hands. A micro four thirds camera capable of shooting 4k DCI using a LOG profile (Z-LOG2) recording ProRes HQ 10bit 4:2:2 internally up to 60fps (4k H265 up to 120fps, 160fps in 1:2.4 mode). Wow!.
Also, dynamic range is limited to 10 stops and hindered furthermore by the fact, that the noise floor is cut off – hence, you cannot dig into the shadows to get that organic, flatter look – shadows are simply black with no information.
If you want to use this camera for live streaming, in a locked-down scenario which is not demanding in terms of dynamic range, it will work very well.
When it comes to the E2, the added benefit of this connection, is the ability to record ProRes RAW directly on the Atomos Ninja V. (At this stage, there is no word from Atomos if ProRes RAW recording will be implemented on other members of the E2 family of cameras).
The bundle further includes the Sigma MC-21 adapter for Canon EF lenses and the 5″ monitor/recorder Atomos Ninja V. With the Ninja V, you can take advantage of recording in 12-bit ProRes RAW with this camera. In this price range, it is a very interesting combination.
The screen itself is very bright (2000 NITS), even in direct sunlight I had no issues seeing the image. Unfortunately, the surface of the screen is very reflective which can hamper the viewing experience, see figure 3 below.
Finally, the Volta Cinema Top Handle has three 1/4″-20 mounting points at the handle’s back. The threading is really thin, and the metal is not thick here. While this is nice to have mounting points to store screws, I wouldn’t mount a camera accessory to it, even if I don’t see it breaking at all.
These dummy batteries are off-the-shelf and not made by Volta Cinema directly. Several models are available, including D-Tap to Sony FZ100, Sony FW50, Panasonic DMW-BL19e, Sony NP-F (the plate is from Atomos), Micro USB for the Tilta Nucleus, as well as custom ones.
However, on-camera monitors are not your traditional computer display. Most of the time, you can’t use a probe or spectrophotometer to adjust your on-camera monitor.
Fig. 2:IMATEST calculates 10.8 stops of dynamic range for the Z CAM E2 cinema camera at a signal to noise ratio of 2 for 4k DCI ISO500 ProRes recording using Z-LOG2 (1/SNR = 0.5, medium value in the upper right hand table).
As far as specs go, the 4K Monitor Module 750 TX is no slouch. It features zero-delay 4K30p video, 10-bit 4:2:2 HDR video, and of course the titular 750ft of transmission.
PortKeys was kind enough to send us this new LH5P model with very similar features: in short, it is the same display but 0.3″ bigger, it is made out of aluminum instead of plastic, and it has an antenna for wireless control. We updated this review accordingly and took some time to test every feature again. Enjoy!.
You got it; when carrying the Manfrotto PRO Light Flexloader L, you have choices, and it can rest on your shoulders for hours. The Manfrotto team put a lot of effort into making a comfortable bag. Being comfy is crucial as the Flexloader L can quickly become heavy considering how many compartments and how much stuff you can put in it.
There are many 5″ on-camera monitors available on the market, with different price ranges depending on features you need/want. So I decided to compare the Porkeys PT5 ($169) to the Atomos Shinobi that retails for a $299 price tag ($130 more expensive) and the FeelWorld F5 that is $149.
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