As you can tell, these are minor issues and not a dealbreaker. Manfrotto did a great job at improving their camera bag lineup and they’ll have a hard time competing with themselves for the next generation.
possibility of taking you to major trade shows like NAB in Las Vegas, IBC in Amsterdam, … if we are really happy with your work and if you work well under time pressure (we always take some selected team members to shows around the world).
The Manfrotto PRO Light Flexloader L’s design is sober; it’s light black with a couple of “Manfrotto signature red” touches here and there.
CVP offers free LUMIX 25mm f/1.7 lens (!) and free 3-year Panasonic LUMIX warranty. CVP also offers G9 in a set with the LUMIX 12-60mm f/2.8-4 lens for an incredible price.
This rolling shutter result of 36 ms is the highest I have ever measured in the lab. Compared to the very good 11.1 ms of the sister Z CAM E2 camera, it renders the E2C a very delicate candidate for handheld work.
All in all, it is a good monitor, but I didn’t like one detail: it only takes 1080p signals via HDMI, although the Z CAM E2 could provide a 4k signal. Hence, you have no good way to judge focus on the monitor itself for a 4k HDMI signal, as neither punching in (1:1 pixel view) nor the in – built focus peaking of the monitor would display this signal accurately.
I found the Volta Top Handle’s build quality itself to be really decent. All the parts are made out of 7075 aluminum, and it feels solid. The Volta Cinema logo is kind of “engraved” on one side.
Talking about the bottom of the Flexloader L, there are two rugged bumpers under the dense nylon cover. These bumpers will help reduce impacts when you put your bag on the ground.
Let’s talk quickly about the batteries’ technology. According to Volta Cinema, the Volta36 uses the same 21700 cells as Tesla uses in their cars. These cells allow them to pack more energy in a smaller format.
In terms of heat, I found that even after a one-hour runtime at maximum brightness, it was slightly warm to the touch but not hot. The plastic housing helps with heat dissipation, as there are no air intakes/outtakes around the monitor’s body.
To modify a tool’s settings, you have to hold the icon of the tool you want to adjust in the sidebar and slide to the right at the same time. I’ve been able to make it work, but even with the user manual, it’s not straightforward, and it took me a dozen tries to get to the tool adjustments settings.
In addition, there are multiple exhaust vents all around the monitor, which help with heat dissipation. Talking about heat, I was stunned that the monitor was not warm or hot to the touch even after a couple of hours of being turned on. So that’s a good sign!.
The two included straps are made from nylon and metal and are high-quality; you can easily trust them to hold a bit of weight.
Last but not least, you can power the PT5 via the 5V1A USB input/output port. You can use this port to power the monitor with a power bank, for example, but also to charge your camera/power your accessories if you power the PT5 of a Sony NP-F/Canon LP-E6 battery.
It has been more than two weeks since our last RED Komodo Update article. I have to say things are getting much faster around Komodo now since the first customers got their cameras and there are first hands-on tests with sample footage emerging. The best places to follow the latest news about Komodo right now are Jarred’s Instagram account, Komodo Section on REDuser, and RED Komodo Facebook group.
The PortKeys P6 will start shipping at the end of December, and it retails for $169.00. You can pre-order it on PortKeys’ website, we will update this article with links to B&H and CVP as soon as it becomes available.
Having excellent and accurate monitoring tools to evaluate what you’re shooting is great, but the image quality of a monitor is more crucial. Not all monitors are created equal, and the quality of the display behind them may vary significantly.
For sound, I took a Sennheiser MKE 440 with me, using the 3.5mm audio input on the Z CAM E2 – mounted to the side, which was not ideal. Also, the recorded sound quality via the 3.5mm input leaves a lot to be desired. I hope Z CAM can improve on the audio part in the future.
you’re getting your name out there to thousands of eyeballs, and we can link to your personal site from your name in the news and review posts.
Full-frame 12MP sensor, UHD in up to 120P, Full HD in up to 240p, all modes available in 10-bit 4:2:2 internally, no overheating, (almost) no crop, flip-out screen, full-size HDMI… This camera seems to tick a lot of boxes.
Optimize the camera control interface and functions: improve the aperture display accuracy of BMPCC4K/6K. Fixes an issue where the BMPCC 4K resolution cannot be switched to 4K 2.4:1 4096×1720.
Finally, one last thing that I did not understand is that you only have to press the power button once to turn the monitor on/off. You don’t have to hold that button, just press it. I guess this thing can cause a lot of unwanted switch-offs of the.
Open the lock, put the main compartment’s zippers through it, lock it, and you can be sure that nobody will be able to open your backpack.
The PortKeys LEYE features a 2.4″ LCD screen with an effective resolution of 1440 x 900. The display is 8-bit – which is enough for framing your shots -and has a maximum brightness of 300nit with a 1100:1 contrast ratio.
But, the real advantage of the BM5 over its competitors – other than the incredible $499 price – is the control port at the back of the monitor. By connecting the monitor to your camera, you can control various functions like start/stop the recording, change your ISO settings, adjust the focus settings… etc.
As Phil Holland wrote, aside from REDCODE RAW files, the camera can also shoot ProRes MOV files for quick turnaround. They are available in HQ and 422 for both 4K and 2K resolutions. According to Phil, the camera can’t record both at the same time.
These theoretical tests don’t have much sense to me as you usually don’t always shoot at full brightness for this amount of time without switching off the monitor, but it gives you a rough idea. In “normal” real-life shooting conditions, I found the battery life to be pretty good.
Bottom: there is one camera control mini-USB port, a 5-pin motor camera control port that doubles up as a DC 7-24V power output port, one 1/4-20” mounting point with locating pins, and a USB Type-A port to update the firmware of the LH5P, load your LUTs, or power it.
The FX9 is Sony’s new full-frame cinema camera. Announced in September 2019, it offers solid 10-bit internal recording modes, very good autofocus, audio, internal eND, and more.
You got it; when carrying the Manfrotto PRO Light Flexloader L, you have choices, and it can rest on your shoulders for hours. The Manfrotto team put a lot of effort into making a comfortable bag. Being comfy is crucial as the Flexloader L can quickly become heavy considering how many compartments and how much stuff you can put in it.
But, you’ll have to handle all that extra tripod weight on your back, the unbalance, and the Flexloader L will flip over when you put it on the ground. Also, it’s not very practical to access the bag’s camera compartment.
Education is an important part of self-development. MZed offers all kinds of usefull online courses. You can check our rewievs of their courses – Cinematic filmmaking masterclass by Philip Bloom and Directing color with Ollie Kenchington. They have interesting Black Friday offers which will be live from Wednesday 27th (PST) until the end of Monday, December 2nd (PST). Available offers:.
Last week, we were the first to report about a new company named PortKeys and their BM5, a field monitor capable of controlling your camera. Ahead of NAB 2019, the company just announced another exciting product, the OEYE-3G EVF. Let’s take a look at this exciting new EVF.
When looking at the price of this camera, keep in mind though that you have to rig it up with a monitor and audio equipment – see the setup that I used for the sample footage below:.
Last but not least, the bag comes with a 5-year warranty. You’ll need to register and activate your warranty on Manfrotto’s website. The company’s customer service is incredible, and you can trust their warranty.
The Volta Cinema Top Handle design is pretty “simple,” minimalistic, and I like its elegance. It consist of two main parts: the handle that doubles as the battery compartment, and a mount with the NATO rail and D-Tap port.
Various camera models/manufacturers are supported, giving you access to more or less camera control features depending on your camera. At the moment, here are all the supported models:.
I was also pleased to find a printed user manual (finally!) with everything you need to know to get started and navigate through the menus.
Also, I can’t say enough how comfortable the Flexloader L is on your shoulders and back. This is a crucial part of a backpack that will get as heavy as it can get once fully loaded.
Phil Holland is also testing various lenses on Komodo. He said he already mounted over 100 different lenses on the camera.
Other than the sensor upgrade, all the features are the same as can be found in the original Z CAM E2, including the same 10bit ProRes recording to CFast cards. Z CAM only published the spec sheet for the 6k S-35 version that you can check out below. On the recording format front, the company will support internal RAW recording via a firmware update soon. More details will be revealed at the end of April.
These are very good results for a micro four thirds sensor, almost exactly the same as for the Panasonic GH5s (10.7 stops) and coming in second behind the other four thirds cinema camera rival, the Blackmagic Pocket Cinema Camera 4K, BMPCC4k, which has 11.6 stops of dynamic range in ProRes HQ.
A few iterations later, after much trial and error, testing, and sleepless nights, my vision came full circle and the handle was launched in August. Since then, the product has seen some solid improvements, including the custom pins (found inside the handle) which can now ensure 5A output, and the custom cabling for the batteries which reduced the internal resistance resulting in minimal heat output and longer recording times.
Also, the barrel connector should be replaced by a 4-pin power input at the back of the unit, next to the SDI input. Talking about the SDI input: the viewfinder should support resolutions up to 1080p60 via the SDI Input.
CVP Buy link: Panasonic LUMIX GH5 Camera Body with 12-60mm f/2.8-4 Lens Was: €1,616.67 Now: €1,319.83 (Savings: €296.84, Free accessories, Free 25mm f/1.7 lens, and Free 3-year warranty).
Monitor manufacturer FEELWORLD has just released a new affordable 7-inch monitor, featuring a Sony NP-F style battery plate on the back to host and power a wireless video transmission system. Built on the legacy of the original F7 monitor, the FEELWORLD F7 PRO is now available for $239.
However, I’ve been able to try the camera control features with my Panasonic GH5, and it worked flawlessly. I’m not a massive fan of big camera setups with tons of cables, so I tried it to see if it work, but I don’t see myself using it. It’s nice to have these camera control capabilities; it works perfectly fine, it’s great to have it, and I’m sure it’ll fit a lot of filmmakers’ shooting style.
Apparently, this design is becoming quite popular. In fact, the new FEELWORLD F7 PRO has a very similar feature, which makes it a good director or 1st AC monitor on a budget. Let’s take a closer look.
The monitor is color-calibrated out of the PortKeys factory, but you can adjust various settings like sharpness, chroma, brightness, backlight, display flip, tint, color temperature adjustments.
If you have a professional video tripod with a fluid head or light stands, you have another option on both sides of the Flexloader L.
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