This update makes the Z CAM E2/Atomos a very capable lightweight combo capable of shooting 4K60P ProRes RAW for just under $2500.00, which is incredible. (Our friend and colleague Philip Bloom shot a short piece with this new setup. You can view it by clicking here).
The biggest improvement over the original F7 is on the back of the monitor: a Sony NP-F style battery plate can now host and power a wireless video transmission system compatible with this type of batteries.
To make things even more secure, there is even a side of the battery with a cut-out. I have no worries about inserting the batteries inside the handle or the battery charger.
In theory, this combo should work very well. The Portkeys BM5 monitor (for detailed specs see our article here) is a 5” FHD monitor which allows via a separate cable to display and change settings in the camera’s menu on the touchscreen – on our early prototype this didn’t work though and a newer firmware wasn’t yet available.
Also, it gets very very hot and is quite power hungry. I used the “low” setting for the internal fan to avoid picking up the sound on video.
Another company that announced some Komodo Accessories is KipperTie. They offer a PL to RF mount adapter with a mounting foot. Additionally, the company offers a mounting bracket called Chinstrap for extra PL mount lens support even without a baseplate.
If you are tempted by the price to use it as a cinema camera be aware that the rolling shutter means that you cannot shoot handheld footage without a stabilized lens. It’s an absolute must in that scenario.
Chinese monitor manufacturer PortKeys just released a new budget-friendly monitoring solution to its lineup: the PortKeys LH5H. If you’re new to PortKeys products, we already reported about their BM5 5″ HDMI & SDI monitor, OEYE-3G EVF, or, more recently, the PortKeys KeyGrip handle. I’ve been using the extremely bright (2200 nits) PortKeys BM5 II for several months now, and it quickly became my go-to on-camera monitor.
Optimize the ratio options in the guide function, automatically adapt the deformation function, and add three ratio modes of 1:1, 16:9, 6:19.
However, I was a bit worried about a possible short inside my camera bag between the batteries and whatever metal object they could hit. Volta Cinema told me that:.
If you want to use this camera for live streaming, in a locked-down scenario which is not demanding in terms of dynamic range, it will work very well.
Moreover, a NATO-type clamp has been added to the bottom, which provides better flexibility when rigging the monitor. The NATO clamp also allows the screen to be attached to a handheld bracket: a great option for a run and gun director’s monitor setup. Four 1/4”-20 threaded holes on the body provide even more mounting options.
A good monitor is nothing without great monitoring tools. These tools allow you to judge your exposure, focus, white balance, and so on. This is useful to make creative decisions and adjust your camera settings.
Now Z CAM is introducing three new cameras. The E2 S6 (Super-35 6K camera with a choice of MFT, EF or PL mounts) and two full frame models, with 6K and 8K sensors. (E2 F6 and E2 F8 with a choice of EF and PL mounts).
PortKeys was kind enough to send us this new LH5P model with very similar features: in short, it is the same display but 0.3″ bigger, it is made out of aluminum instead of plastic, and it has an antenna for wireless control. We updated this review accordingly and took some time to test every feature again. Enjoy!.
Regarding power, the BM5 uses a single Sony NP-F style battery. Like the SmallHD Focus monitor, you can use the power output of the BM5 to feed your camera via a dummy battery. On top of that, you have the option to power the monitor with an external battery by using the Lemo port on the monitor, and the included Lemo to D-Tap cable.
This feature is helpful for live streaming purposes, and according to VIDEOGEAR, there is “zero latency, and it supports video platforms like Skype, Facebook, YouTube, Twitch, Periscope, Zoom, and more.” Though I did not test that feature of the monitor.
DJI Osmo Action is still a relatively new product and it is the most serious contender to the GoPro. It is a very capable action camera with 4K 60fps video recording and brilliant stabilization. Even better then Hero7 Black’s HyperSmooth – here is our comparison of these two cameras. Make sure to also watch our Osmo Action review.
Two ways to mount the EVF on your camera/rig: a built-in NATO rail and three 1/4″-20 mounting points with ARRI locking pins. All the mounting options are at the bottom of the LEYE II.
The concept of a handle that can power your camera is not new, with products like the Soonwell PH70. However, I’m not too fond of products that have built-in batteries. It means that once you run out of battery, you have no way to pop a fresh battery pack and continue shooting. It’s a no-go for me in professional shooting conditions.
PortKeys, the company specialized in HDMI and SDI camera monitoring solutions has just released its latest 5.2″ monitor that is capable of controlling your camera: the PortKeys LH5H.
However, and this is something to keep in mind while you’re reading this entire review, the is only $89, and it’s an entry-level on-camera monitor. At this price point in the filmmaking world, you usually can’t buy many products, especially monitors or products with any electronics inside.
The FEELWORLD F7 PRO offers several input and output power options. The monitor can be powered using either a Sony NP-F battery or via a 12V DC power input. Moreover, a 5V USB-C port offers an extra power supply option, while an 8V DC output can provide power to your camera.
The Volta Cinema Top Handle design is pretty “simple,” minimalistic, and I like its elegance. It consist of two main parts: the handle that doubles as the battery compartment, and a mount with the NATO rail and D-Tap port.
Fig. 2:IMATEST calculates 10.8 stops of dynamic range for the Z CAM E2 cinema camera at a signal to noise ratio of 2 for 4k DCI ISO500 ProRes recording using Z-LOG2 (1/SNR = 0.5, medium value in the upper right hand table).
In terms of heat, I found that even after a one-hour runtime at maximum brightness, it was slightly warm to the touch but not hot. The plastic housing helps with heat dissipation, as there are no air intakes/outtakes around the monitor’s body.
One HDMI input and one HDMI output port supports resolution up to 4K DCI at 24p, 4K UHD at up to 30p, FullHD at up to 60p.
It is already compatible with the Z Cam E2, Sony/Canon/Panasonic cameras. But, PortKeys just introduced a new Bluetooth Module that pushes the capabilities of the BM5 a little further.
Cine 7 monitor + Bolt 4K Monitor Module 750 TX connected to the camera with ARRI license installed (If you are using 2 Cine 7 monitors you can have the license installed on either one.).
Some companies try to enter the EVF market with a monitor and a loupe attachment. It’s the case with products from SmallHD, with their SmallHD 502 + viewfinder attachment, and F&V with the SpectraHD 4 EVF. While these two solutions can be helpful, they are also quite bulky.
Z CAM E2 is a very capable small cinema camera with the Micro four thirds camera mount. It can record in ProRes HQ 10-bit or 4K up to 120fps in H.265 internally. Take a look at our Z CAM E2 review. This bundle with the free PortKeys BM5 monitor and control cable (so the camera can be controlled from the monitor) looks really tempting. Additionaly, the CVP price even without discount is better when compared to other european distributors.
Codec wise there are H264 and H265 10bit internal recording options to SD cards, but as a big differentiator to other cams in this price bracket, it offers to record ProRes via USB-C to an external SSD drive.
Most of the magic from the PortKeys Universal Handle happens on the inside. Indeed, it features a built-in Bluetooth and WiFi control module. In short, it means that the handle can connect wirelessly to your camera to control it. Below is a list of the settings and functions you can control via the Universal Handle.
The bundle further includes the Sigma MC-21 adapter for Canon EF lenses and the 5″ monitor/recorder Atomos Ninja V. With the Ninja V, you can take advantage of recording in 12-bit ProRes RAW with this camera. In this price range, it is a very interesting combination.
When it comes to storing, transporting, or flying with film equipment, I think the creative world is divided into two categories: those who don’t care and those who are obsessively looking for an even better solution. Needless to say, I fall in the second category.
If you remove the pouch that comes with the bag, you can put a monitor – in this picture, the PortKeys PT5 that I reviewed here – and some SSD hard drives.
The waveform plot of our Xyla 21 stepchart shows about 11 stops (see figure 1). Using IMATEST to calculate the dynamic range I got a result of 10.8 stops at ISO 500, Z-LOG2 using ProRes HQ 4k DCI 23.98fps (at a signal to noise ratio of 2, 11.9 stops for SNR = 1, see figure 2).
The PortKeys LEYE features a 2.4″ LCD screen with an effective resolution of 1440 x 900. The display is 8-bit – which is enough for framing your shots -and has a maximum brightness of 300nit with a 1100:1 contrast ratio.
In this discounted set, along with the camera, you get SanDisk 32GB extreme PRO UHS-II SDHC memory card, Watson 2000mAh battery pack, Watson compact AC/DC charger for NP-FZ100 battery, and Ruggard Journey 24 DSLR shoulder bag.
The Manfrotto PRO Light Flexloader L’s design is sober; it’s light black with a couple of “Manfrotto signature red” touches here and there.
Among the people who got the first Komodo was Phil Holland and Philip Grossman. They both started posting first thoughts and answering questions about Komodo quite quickly. Phil Holland made a special thread on REDuser where he shares his findings on Komodo. Philip Grossman posted already several sample clips and comparisons with his RED Helium 8K on his Youtube channel.
A good monitor is nothing without great monitoring tools. These tools allow you to judge your exposure, focus, white balance, and so on. This is useful so you can make creative decisions and adjust your camera settings.
The Manfrotto PRO Light Flexloader L is available now for $329.99/€227.35. It can seem like a fairly high price tag, but the price/feature ratio is incredible and you’ll probably have a hard time finding a more affordable solution that offers you better build quality, versatility, and reliability.
Open the lock, put the main compartment’s zippers through it, lock it, and you can be sure that nobody will be able to open your backpack.
Also, the (now discontinued) Manfrotto PRO Light 3N1-36 PL has been part of my kit for some years now. It’s been a joy to travel with, but I now retired it as my “wireless video system bag,” which is a bit overkill, as this backpack can carry a ton of equipment.
you’re still getting based on the reach of your “old” articles if you continue to write regularly for the site, it’s all very transparent – loyalty is welcome and awarded.
The LH5P has a claimed maximum brightness of 1700 nit, which is, like any monitor with a brightness over 1500nit, perfectly daylight-viewable. The monitor has a contrast ratio of 1000:1, and the panel itself is 10-bit (8+2 FRC), so not “true” 10-bit.
There are quite a few 5”/5.2” on-camera monitors available on the market, at various price-point. It doesn’t make sense to compare the LH5P to some of the big boys like the SmallHD 503 Ultra bright that retails for eight times the price of the PortKeys.
Finally, on some pages, like the Settings page, you have various settings you can adjust at the bottom of the screen/menu. But, for some settings, there are two subpages. One weird thing is that you have to use the physical buttons to access the second subpage, which doesn’t make sense to me.
To make it short, all you have to do is purchase the right cable for your camera with the monitor – also available separately – and plug it from the LH5H to the camera. Then, you’ll be able to trigger the recording, navigate through the menus of the camera, change your settings, and so on.
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