The PortKeys LH5P is mostly made out of aluminum with tempered glass in front of the screen. It doesn’t feel like it will break if you drop it, even if I don’t advise you to do so. The buttons’ are plastic, and they feel a bit “clicky,” it’s not incredible, but they’re ok.
And an expandable gimbal pocket that opens in two steps: first, unlock the zippers all around the bag. Then, extend your bag to reveal the full-size gimbal pocket. This pocket is initially designed to fit a Manfrotto gimbal, like their 300XM modular gimbal.
“To set up wireless camera control for KOMODO or DSMC2 (coming later this summer), the following hardware and software are required.
On top of the LH5H, you’ll find four customizable function keys, a power switch, and four buttons to access and navigate inside the menu. At the bottom of the monitor, there is one camera control mini-USB port (more on that later) and a 5-pin motor camera control port that doubles up as a DC 7-24V power output port.
Back on the Function page, you’ll find a little “+” icon on the left. Press it, and you can assign any of the monitoring tools as a shortcut in the toolbar.
A quite surprising result on the rolling shutter measurements, which adds up to the very positive overall impression: in 4K DCI 25p mode (using ProRes HQ and ZLOG2) I got a very good result of 11.1[ms]. For comparison, the BMPCC4k has a rolling shutter of 16[ms] in UHD 25p mode.
The PortKeys LH5P retails for $399.00/€449.00, and it is available now. Compared to other options in the market, I’ve been really impressed, and it’s a solid daylight-viewable on-camera monitors for under $400 if you don’t need SDI input/output ports.
Also, there is a USB Type-A port on the right side of the monitor that you can use to power the PT5 via a power bank (5V/2A). If you power your monitor with a Sony NP-F or Canon LP-E6 battery, this USB port doubles as a 5V/1A power output that could easily charge your smartphone at the same time.
Great monitoring tools, including 3D LUT monitoring, waveform, false color, zebra, peaking, zooming, audio meters, crosshair, framing guides, grids, aspects.
Chinese monitor manufacturer PortKeys just released a new budget-friendly monitoring solution to its lineup: the PortKeys LH5H. If you’re new to PortKeys products, we already reported about their BM5 5″ HDMI & SDI monitor, OEYE-3G EVF, or, more recently, the PortKeys KeyGrip handle. I’ve been using the extremely bright (2200 nits) PortKeys BM5 II for several months now, and it quickly became my go-to on-camera monitor.
Finally, one last thing that I did not understand is that you only have to press the power button once to turn the monitor on/off. You don’t have to hold that button, just press it. I guess this thing can cause a lot of unwanted switch-offs of the.
A lot has been written about the FUJIFILM X-T3, and a lot of it here, on cinema5D. We’ve reviewed the camera (twice), and crowned it our best mirrorless camera of the year 2018. Currently, there is a nice discount on this camera in both B&H (including free accessories – memory card and bag) and CVP.
The user interface of the PortKeys LH5P is not its most significant strength, to say the least. When I purchase or review a product, I never read instructions (like most filmmakers, I am assuming), which means a product must be intuitive. I think you should be able to give a monitor to any camera assistant and everybody must be able to make it work without reading a book. That is not the case with the LH5P.
Chinese manufacturer PortKeys has just introduced a new version of its famous HDMI-only compact electronic viewfinder: the PortKeys LEYE II. The LEYE II now features a built-in battery plate. Also, PortKeys has been teasing an SDI version of its viewfinder for quite some time now, which should be released soon. So let’s take a closer look at these!.
On the software side, the PortKeys P6 features a lot of useful analyzing functions and tools. Below is a list of the built-in tools:.
One feature that sets the PortKeys LH5P apart from many of its competitors is that it can control your camera. To make it work, you have to connect an optional cable from the monitor’s dedicated mini-USB port and connect it to your camera.
To grab the bag, there are three handles: one on the top and one on each side. Although all the handles feel robust, they can take a lot of weight. If I am being picky, I would’ve liked to see a fourth grip at the bottom.
The first batch of both accessories got sold out relatively quickly, the next batch should be shipping by the end of June.
You can activate multiple monitoring tools simultaneously to help you, but you can’t decide where they’ll be on the screen. For example, the waveform and histogram will always be on the bottom right of the screen.
The next bundle includes the newer flagship full-frame mirrorless camera from Panasonic – the LUMIX S1H (our Review, our Lab Test). The camera can record up to 6K 30P or a wide range of 4K modes. It offers nice ergonomics, good IBIS, and relatively clean images with high ISO.
The fact that the Black Mini is a lightweight on-camera monitor makes it a lovely experience if you’re operating handheld or on a tripod/gimbal. It doesn’t add too much weight nor bulk to your setup, which is nice.
Let’s talk quickly about the batteries’ technology. According to Volta Cinema, the Volta36 uses the same 21700 cells as Tesla uses in their cars. These cells allow them to pack more energy in a smaller format.
HDMI is much more common on DSLR and mirrorless cameras and SDI is much more common on larger cinema cameras. While HDMI can transmit both video and audio, it doesn’t have the ability to lock into a port like SDI does. On the other hand, SDI only transmits video information and not audio.
I decided to include drones in this post as well. DJI Mavic 2 Pro is the best drone in its category with the Hasselblad 20MP UHD 4K 1″ CMOS gimbal camera. The aperture is adjustable between f/2.8 and f/11. The drone can film in 10-bit Dlog-M and in up to 4K 30fps. More information about the drone can be found here in our article.
The LEYE SDI will retail for $549/€500. It is already listed on our partners’ websites B&H and CVP, so it should be available very soon!.
The PortKeys KeyGrip has been shipping for a couple of months now, and filmmakers have been complaining about the lack of a power switch button. Indeed, there was no battery switch, which means the KeyGrip was draining power if you didn’t remove the batteries from the handle.
PortKeys has just announced the launch of a new 5.5″ on-camera monitor: the PortKeys LH5P. This HDMI-only (in/out)monitor is made out of aluminum, it is daylight-viewable with a maximum brightness of 1700 nits, and it can control your Blackmagic Pocket Cinema Camera 4K/6K wirelessly. Let’s take a closer look at it!.
If you have a professional video tripod with a fluid head or light stands, you have another option on both sides of the Flexloader L.
There is a loupe in front of the display, but it doesn’t look like you can flip it/remove it, according to the pictures. To fit nearly every filmmaker, the loupe of the LEYE features a +8 to -3 diopters adjustment. Also, the loupe’s back is totally round, with a “sponge eye mask” that prevents LCD sunburns and allows users with glasses to look at the EVF easily. However, no “traditional” eyecup is included, which is a little bit of a bummer.
Waveform plot of the Xyla 21 stepchart: about 10 stops of dynamic range can be identified. Strangely, the noise floor is cut off by the way how Z-Log2 is implemented – not good.
The new PortKeys Bluetooth Module for BM5/BM5 II monitors screws directly to the back of the monitor. This update is especially exciting for BMPCC 4K/6K users. First, you will have access to the daylight/tiltable screen of the BM5. Second, you will be able to control your camera via the monitor wirelessly. The number of settings you can adjust via the BM5 is imposing; please see the full list below.
But, the real advantage of the BM5 over its competitors – other than the incredible $499 price – is the control port at the back of the monitor. By connecting the monitor to your camera, you can control various functions like start/stop the recording, change your ISO settings, adjust the focus settings… etc.
An 8+2 FRC panel is less expensive for manufacturers to produce, as it’s based on a “software trick” to simulate 10-bit on an 8-bit panel. I’m simplifying things here, but keep in mind that even some of the most expensive monitors from SmallHD or Atomos (except NEON) use the same technique.
If you remove the pouch that comes with the bag, you can put a monitor – in this picture, the PortKeys PT5 that I reviewed here – and some SSD hard drives.
The HS7T can be powered by two hot-swappable Sony L-Series batteries or via the 4-pin LEMO input (DC 7.4~24V). Moreover, the monitor can supply power for any wireless video transmission system attached to the back: a helpful feature when trying to keep the monitor setup clean and compact.
However, I was a bit worried about a possible short inside my camera bag between the batteries and whatever metal object they could hit. Volta Cinema told me that:.
According to the company, they had to use “an off the shelf 0.8A x1 or 0.6A x 2 PCB for the charger to sit within the Micro USB specification (2.1A x 5V = ~10W total, minus the loss in efficiency).” This results in long charging times. To fully charge two batteries, it took me close to eight hours.
Portkeys put some work towards its user interface, and it is now much easier to use, especially on the PT5.
The monitor has a contrast ratio of 1000:1, and the panel itself is 10-bit (8+2 FRC), so not “true” 10-bit. An 8+2 FRC panel is less expensive for manufacturers to produce, as it’s based on a “software trick” to simulate 10-bit on an 8-bit panel. I’m simplifying things here, but keep in mind that even some of the most expensive monitors from SmallHD or Atomos (except NEON) use the same technique.
The design of the Portkeys PT5 is minimalistic, and I love it. It looks a lot like an Apple iPhone.
In short, you got it, the PortKeys LH5P’s UI is a big step up from the previous archaic one, but I feel like it still needs some refinement and improvements to get it “right.” PortKeys could change this kind of thing via a firmware update, so I have no doubt they’ll put in the extra work to make it a great, easy to use, and pleasing UI.
DJI Osmo Pocket is the smallest Osmo yet. It combines camera with a 3-axis gimbal and fits literally in the palm. The camera still offers up to 4K 60fps video recording. Make sure to watch and read our DJI Osmo Pocket review for more information.
To know more, check our Lab Test as well as Nino’s C300 Mark III review. This bundle will additionally get you a Canon 24-70MM F2.8L II USM EF-Mount lens and SanDisk CFexpress Extreme Pro 512GB memory card.
Earlier this year, PortKeys introduced the BM5 field monitor, an impressive little display that can control your camera. If you never heard of the PortKeys BM5 before, it is a 5-inch 1080P WLED touchscreen display that features an HDMI and SDI input, and an SDI output with cross-conversion.
The camera supports recording in ProRes 422 HQ/Normal/LT as well as H.265 and H.264 codecs. It records directly onto CFast cards and also includes time-lapse modes.
However, I can ensure that these 15mm thick M-GUARD dividers are much slimmer than their predecessor.
Can you get more camera stuff inside? For sure, but that’s already a fair amount of gear to carry on your back.
Monitor manufacturer FEELWORLD has just released a new affordable 7-inch monitor, featuring a Sony NP-F style battery plate on the back to host and power a wireless video transmission system. Built on the legacy of the original F7 monitor, the FEELWORLD F7 PRO is now available for $239.
To charge batteries, all you have to do is slide them into the battery charger. The pins inside the charger will align with the battery connectors, and it’ll start charging. However, the batteries are not locked into place in the charger.
Next are the shoulder straps that do have two adjustments settings. The first one, like every backpack, is the length of each strap.
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